BEHRINGER ベリンガー SUPER-X PRO CX2310 クロスオーバー

40年前のビクターの25センチフルレンジSPと、もらい物の車載用ツイーターをネットワークで聴いていたが、どうあがいてもバランスが取れない。ついに、禁断のチャンデバに手を出してしまった。1万2千円。ダメモトで購入したが、これがどうも具合が良い。ガラクタが宝物になりそうだ。 LOWには50年前の自作管球アンプ（部品交換済み）を、HIGHTには2千円の中華アナログアンプを新たに購入した。ケーブルはジャンク箱にしまっておいたベルデンを、SPケーブルはこれまた友人のジャンク箱に入っていた「切れぎれのWE」をつないで音を出している。 音質はやや柔らかいが透明度の高いコクのある音質で、これはアンプやケーブルにもよるので一概に本製品の特徴とは言えない。試みに、ケーブルを1,000円程度の中華製に、SPケーブルを普及品に交換したら、やや平べったい音になった。 要するに本品は「素直な機器」なのだろうか？ よくわからない部分もあるが、遊べる12,000円です。 <追記＞ 電源プラグはアース付きの3本端子で、一般のコンセントには差し込めないものだったので、思い切ってアース端子を切り落としました。（ナント乱暴な…）それでもノイズなどの問題は起こりませんでしたので、自己責任で…。

サブウーファーの出力用に購入。プリメインアンプがプリとメインに切り分け出来るラックスマンの機種なので、プリのアウトをこのチャネルデバイダーに入れて、サブウーファー出力を切り分けて出し、それ以外の周波数をメインに戻す。これでかなり低音部の締まりが出た。導入して良かった。

コスパなのでなんの問題無しです。 ただ説明が英語だけなのである程度この機種の使い道を熟知してる方で無いと機能を生かせないと思います。

手軽に色々と設定をイジって遊べるので楽しめます。

60年前の、JBLのスピーカーを鳴らした所、音質が非常に悪く使い物に成らないので、ネットワークを分解しました所、コイルが腐食していて使い物に成らないので、ネットワークを諦め、ベリンガーを選択しました。 分解しました時に感じました事を書きます。 コンデンサは6MF2個、錆び付いたコイル、 このコイルは鉄心を利用した部品で、当事はその様な作りで良かったのでしょう。 配線材は直経が1mmも無い線を使って有ることに驚きました。 ネットワークを調べました所、非常に高いので、ベリンガーを選択しました。 高級品では有りませんが、重低音は、300Bと2A3、高音は、FETアンプ 2台で鳴らします。 情報量が非常に多く感じました。 費用対効果はベリンガーの勝ちです。

ノイズが酷いので返品したいのだが、購入から1ヶ月を経過すると返品出来ない。 どうすればいいのですか、ドブに捨てるしか無いのか。

スピーカー内のネットワーク用のCRL類がなくなりきれいな音になりました

STEREO 2WAY 用のネットワークとして新規購入。以前に買ったワンランク上のSTEREO３WAY用も私の個体は巷の評判の様に壊れることもなく、3年目ですがまだバリバリ使えています。保護回路が付いていない？ので、接続したアンプ類などの電源SWの入れ方が壊れやすさに影響するんだと思います。

Hey I got this to replace (other brand) Small Box / SX45 Two Way Crossover. It works well. I'm using it with my Old Yamaha receiver, with the jumpers taken out which makes it / switches it to a PREAMP. so Using for now as a 2.1 setup. Currently I only have 1 sub, I set the Behringer SUPER-X PRO CX2310 V2, crossovers according to how I want it, adjusted the levels etc.. I am using the subwoofer output for now, but Once I Get 2 subs, I will switch to the dual low outputs. Hopefully it works just as well. so it would then be switched to a true 2.2 Stereo setup (2 / Stereo subs) I'm not a pro audio guy, but I Can say this works better than my previous SX45 and I Like it a lot. It's very thin or little depth in dimensions, I just put a short padding(old mouse pad/mat cut) at the front of my Yamaha and put the Behringer right on top. Most of the Yamaha preamp heat comes out the open space / section about mid-way back on top so it's fine. This is a great product. Even though it's look, and design if more pushed / put out for PRO AUDIO, I Can say it works great as a Home Audio Crossover, at least in my style of setup. It adds a lot of control to your setup, try it out. it's pretty easy to understand how it works. When using the actual dedicated sub out, personally I set mine to about 50/55Hz, and my speakers crossover to about 60Hz~ around there. This is how online guides, and people say to do it because the missing Hz/ Section is in a way added together by the high and low roll offs. I Don't know how else to explain it in my knowledge/wording.. but it works. Also go by your ears and understanding. Side note: My Speakers are low sensitivity 84dB, There is a tiny amount of hiss from the tweeters with the input and high output levels set to 0. I Don't mind seeing it's such a small amount of hiss and is normal in most cases(And is only noticeable putting your head / ear close to the speaker/tweeter), but I don't know how this would fair in HIGH SENSITIVITY SPEAKERS, Would there be a lot more HISS, I'm not sure. In the end you can also turn the levels down on the Behringer. Also the hiss could be dependent on the gear used beyond/before the Behringer Crossover. Take care and good luck trying out yours.

Rapporto qualità prezzo top. Per piccoli impianti è perfetto. Regolazioni efficaci e buon audio

Excellent product certainly worth the money delivered in super quick time

The latest version of the Behringer Super-X Pro CX2310 v2, a 2 Ways Crossover was delivered by Amazon Canada at time. In advance, I modified my 35 years old stereo JBL 250Ti speakers inside wirings to BI-AMP by myself, the 14 inches woofer passive low frequency crossover is isolated from the passive high frequency crossover which connects the 8 and 4 inch, and the titanium speakers. A Bi-AMP speaker terminal with separated High and Low Frequency terminals are added at the back of the speaker. Sound Equipment used: (1) A Behringer Super-X Pro CX2310v2; (2) A Sound Town ST-UPDM4C 4 Channels @950W RMS Class D power amplifiers; (3) A Yamaha WXC-50 MusicCast Preamplifier. (All there of them can be bought through Amazon Canada). Stage One: A new Sound Town ST-UPDM4C 4 Channels, @950W RMS Class D power amplifiers are directly connected to these two BI-AMP modified JBL 250Ti speakers for a test drive. The speakers inside wirings are proved being modified right, improvement in clear sound quality and bass dynamic are noted instantly, these test connections are as shown in the photos. Stage 2: The active Behringer Super-X Pro CX2310 v2 crossover frequency is set at 400 Hz for 2 ways BI-AMP driving. This is connected with my 35 years old grey color unbalanced OFC audio cable, as shown connected in the photos, from my Yamaha WXC-50 unbalanced pre-amplifier to the balanced Behringer Crossover with adapter. My Behringer Crossover is XLR cables connected to my Sound Town ST-UPDM4C 4 Channels power amplifiers for driving my 35 years old JBL 250Ti BI-AMP modifications. This Behringer Super-X Pro CX2310 v2 crossover processes with crystal clear music, sweet vocal sound quality supported with flat, solid and punching bass for my Sound Town ST-UPDM4C 4 Channels @950W RMS Class D power amplifiers in driving my 35 years old JBL 250Ti BI-AMP modifications with wide dynamic and deeper sound field delivering much advance clear sound quality improvement. Stage 3: Stereo 2.1 single subwoofer connection test of the Behringer Super-X Pro CX2310 v2 which is set with subwoofer crossover frequency at 100Hz to drive the JBL LS120P 12 inch self powered subwoofer, while the Mid/High crossover frequency is set at 2.6KHZ to drive the JBL LS40 BI-AMP speakers with the Sound Town ST-UPDM4C 4 Channels @950W RMS Class D power amplifier. (This JBL LS120P 400W amplifier was burnt a few months ago, I repaired this subwoofer by replacing with the Sound Town STAPS-600D 400W RMS Class D Plate amplifier, so it can connect directly with XLR cable to the Behringer subwoofer terminal). And Yamaha WXC-50 is still being connected as the preamplifier. As expected, this match-setting also delivers much advance clear sound quality improvement. The Stereo 250Ti speakers are Titanium design and two 14 inches woofers, with one for each speaker; while the Stereo 2.1 LS400 speakers are Horn design and with only one 12 inches woofer. So the Stereo 250Ti speakers deliver better BASS experience from the two 14 inches woofers but the Stereo 2.1 LS400 speakers deliver better VOCAL experience from the horn speaker in sound nature for music listening. Great values and sounds. No HUMMING at the two 14 inches woofers of the JBL 250Ti speakers nor at the JBL LS120P 12 inches woofer! I enjoy very much the experience of this BI-AMP modification and the purchasing support of Amazon Canada.

Très bon filtre pour petite sono (2 subs 2 têtes) Parfait pour apprendre.