1 It Continues Waiting For A Headronefish (23:26) 2 Encounter With The Inside Of The Wavemotion Of Great Water Fuzz (20:04) 3 ...And Texas Spaceship (17:56)
S**A
Droooooooooooooooooooooooonnnnnne-a-tone
Three very long songs: "It Continues Waiting For A Headronefish" (23:27), "Encounter With The Inside Of The Wave Motion Of Great Waterfuzz" (20:04) and "...And Texas Spaceship" (17:56). The first song starts off with low-key bristly noises and long, looming bass drone. Time passes slowly. The song is long, flat, continuous. And I can't get enough of it. How will the next song be different? How will it be better? It starts off with cool, long guitar wail that is a bit bluesy and psychedelic. Very low sounds burble in the background. At a start, the noise squeals in and just keeps going. The Merz-noise twists and groans and builds up and up, constantly changing. This is a noise song, not a drone tune. The last song starts with guitar drone buzzing like a light aircraft in the sky, noise building up behind it changing and mutating, sometimes a deep squeal, sometimes high tension wires, sometimes stressed iron girders, sometimes a volcano, sometimes horror hoarfrost, and other times just plain static. Bitchin'! No drums and maybe no bass even, this seems to be all Merzbow and Wata.
