

🎧 Own your voice with broadcast-quality precision — don’t just stream, dominate.
The RØDE Procaster is a professional-grade dynamic microphone engineered in Australia for superior voice applications. Featuring a 56dB sensitivity, tight cardioid pattern, and internal shock mounting, it delivers clear, controlled audio by minimizing background noise and plosives. Its rugged metal build and 10-year warranty make it a reliable choice for podcasters, streamers, and broadcasters seeking studio-quality sound in any environment.





| ASIN | B001IPUJJI |
| Audio sensitivity | 56 Decibels |
| Best Sellers Rank | 15,198 in Musical Instruments & DJ ( See Top 100 in Musical Instruments & DJ ) 116 in Dynamic Microphones |
| Country Produced In | australia |
| Customer Reviews | 4.7 4.7 out of 5 stars (1,969) |
| Date First Available | 22 Oct. 2008 |
| EU Spare Part Availability Duration | 5 Years |
| Frequency response | 18000 Hz |
| Global Trade Identification Number | 00698813001118 |
| Hardware platform | Television |
| Impedance | 1500 Ohms |
| Item Weight | 481 g |
| Item dimensions L x W x H | 28.6 x 6.4 x 14 centimetres |
| Item model number | PROCASTER |
| Item weight | 1.06 Pounds |
| Manufacturer | RØDE |
| Material | Metal |
| Material Type | Metal |
| Microphone form factor | Handheld |
| Number of channels | 1 |
| Power source | Corded Electric |
| Product Dimensions | 28.58 x 6.35 x 13.97 cm; 480.81 g |
| Signal-to-noise ratio | 78 dB |
| Size | 2.5 x 11.25 x 5.5 inches |
| UPC | 698813001118 |
D**S
Pairs very well with dbx286s for extra gain and useful sound processing + good for untreated rooms
This is a superb dynamic mic that is a serious alternative to the Shure SM7b. Whilst the SM7b has some advantages like better internal shock mounting, I prefer my voice on the Procaster. As many people have pointed out, this mic needs a lot of gain and +50dB without hiss is a lot of ask of many interfaces, hence the advice to use a Fethead or CloudLifter. An interesting, albeit slightly more expensive alternative is to get a dbx286s. This is a slim 1U rackmountable unit that gives you a lot of clean gain, it also includes a de-esser, a gate you can use to hide background noise, along with a low frequency control that gives you that "radio voice" and a high frequency alternative that adds a pleasant crispness. Now you could do some of those things in post-production if you are recording, but it is a great option if you are live (or like me have a huge problem with external noise from the street). I realise I'm in danger of reviewing the dbx rather than the Rode, but they make such a perfect combination for live streaming I think it is worth mentioning. This setup really brings out the best in the Rode mic. The Procaster itself is incredibly solid. I think it benefits from the Rode shockmount and boom arm, but that's a personal choice depending on how you intend to use it. I think it needs some sort of pop filter, you can get 3rd party alternatives to the Rode foam pop filter, which is a bit expensive. A more visually attractive option is the metal grill available from Roxdon. It is expensive but custom made for the Procaster. If your mic is in shot then it looks really nice. It is great for use in untreated rooms or noisy environments, so a very forgiving choice if you are recording or streaming from a room you cannot treat for sound. To some extent this would be true of any dynamic mic, but this has a large diaphragm to capture a full rendition of your voice and rejects lots of sound from the sides and behind. Naturally the Procaster will work better with some voices than others e.g. I'm not a singer, but if I were I'd be a light tenor. I use some breathing exercises so I am speaking from my diaphragm and not my throat, which would have a more constricted sound. So while this mic is good out of the box, you can also learn to sound better on it e.g. finding the sweet spot in terms of distance. BTW if you literally just want to record straight onto your computer and avoid all XLR type stuff then there is the Rode Podcaster, which is basically the same mic but with USB and a socket for your headphones. XLR mics give you more options for the future, but I appreciate some people might want to just plug it in and record.
L**B
Professional build quality and excellent sound
Where do I start with this microphone? The build quality is superb, it has been my daily driver since purchased, I feel it compliments my voice very well. Being a dynamic microphone it is front facing so back ground noises are very good even out of the box without any fine tuning. Like the SM7B and the RE20 you will need a lot of gain to power it, I have mine running into a subzero microphone booster which can utilise phantom power on my audio internet, the sensitivity of the mic is 56db so this helps to not stress the interface too much, I find that it doesn't need much calibration on OBS to get good audio For the price I think it is very competitive to some of the other higher end broadcast mics, be it podcasts live streaming or voice over work. As far as design I think it is a very well made and fits that professional look. As far as cons I would say it's plosive rejection isn't the best and like I mentioned earlier it requires alot of gain to power so many audio interfaces won't be enough without a mic activator like a cloud lifter or fet head As far as value this is almost impossible to beat, the SM7B is double the price and the RE20 is almost 3 times the price I chose the rode for that reason
B**N
The microphone that punches above its weight class! Sturdy, great quality and stylish.
I couldn’t be happier with this microphone. I choose to use this microphone over the SM7B which should speak volumes about how much I like to Rode Procaster! This microphone has excellent build quality and has the heft to back it up, this microphone is much heavier than most people might be used to, reassuringly so! It also comes with an excellent leather padded carry/storage case as well as a 7 year warranty. The top of the microphone screws off which will allow you to access the internal pop/wind shield which slides over the top of the capsule, shielding it from pops and “plosives”. Although it has to be said when speaking up close it does leave a bit to be desired, and as you can see in my photos I have opted to use a much more substantial cover. One of the great things with buying a Rode microphone is the eco system, Rode makes a shock mount that fits this microphone specifically, a boom arm that is designed to carry the weight of this microphone no problem, external wind/pop shields that will help you improve the performance in different environments... The list goes on. Gone are the days of checking if a random stand or mount fits your mic, Rode has you covered! This microphone for me personally blows the SM7B out of the water, so much so that I sold mine. Out of the box it has a much fuller sound, picking up on more of the low end “bassy” tones in your voice as well as delivering great performance in the middle and highs. This microphone sounds full and bright and is great if you don’t want to have to do “too much” post processing. Of course, the sound can be improved with post processing but this mic needs less than most on the market. The bottom line is that this microphone punches far above its weight and you will often see it compared with microphones 2x-3x it’s price, and it even beats some of them! It has an eco system of compatible accessories behind it AND comes with a 7 year warranty and all microphones are made in Australia!
D**M
Excellent quality mic
Excellent quality mic. I have only used it for a streaming radio show but it is a vast improvement on what I have before. I fed it into my DJ mixer and had the gain about 2/3rds of the maximum and it was fine.....didn;t feel like it needed the high level of gain as what many have said, but perhaps the pre-amps in my mixer are really good (for £3.5k I should hope so!) The build quality feels great, it is reassuringly heavy. The sound quality is excellent and very natural sounding. I am waiting on the Røde PSA1+ arm as the existing arm I have is not solid enough for this weighty beast. Very happy with it, like I am with all of the Røde products I have.
M**Y
The sound is buttery and rich; miles ahead of the $65 generic USB mic. I didn't realize how big a difference it would make! This mic needs a pre-amp of some kind. If you just use a mixer, you need to turn the gain up quite far, so you'll need a decent mixer to make sure the signal is clean at those higher levels. (I'm using Behringer gear, and above about 75%, you start to hear unwanted line hiss. Installing a Cloudlifter fixed that problem. Whatever the case, this mic requires that you spend more heavily on the rest of your gear. Definitely the next level up from cheap beginner YouTubing, and you'll pay for it. The Procaster has good sound rejection from the sides and rear. With the right adjustments and a less clacky keyboard, I find I can get rid of typing noises from the desk. The mic, as others have indicated, is much heavier than your standard budget mic, so bear that in mind when working out your mounting solution. I was about to get another two of these, (I have two condenser mics I was quite happy with in terms of sound quality, but they pick up everything from far away, from the other sides of walls, so dynamic mics are the answer.), but instead of dropping $600, I instead spent half that to get the next tier down; two Rode Podmics. Judging by YouTube comparisons, they don't sound as nice out of box as the Procaster, but I'm hoping with some compression tricks and equalization, they'll serve. I also like that they have a slightly greater effective speaking range than the Procaster. When interviewing guests who are not necessarily trained in audio work, I want people to feel comfortable not being right on top of their mic. But we'll see. If they don't work out as I hope, I'll return them and get another two of these Procasters. **********Update: The cheaper Podmics worked; they're nice little mics, and with compression and tweaking they do nearly sound as good.., but not quite. There's just something nagging at the edge. I ended up buying another Procaster and am very happy with that. An expensive experiment!
M**I
Excellent quality microphone for voiceovers, podcasts, and broadcasts
J**S
Super mais bien faire attention au type de micro. Il faut être bien en face et avoir la carte son adaptée. Beaucoup de paramétrage et réglage pas adapté aux débutants.
P**L
I have been making a living from online videos for at least a decade. Through this time I purchased MANY microphones. I made the mistake early on by purchasing condenser mics for my vocal recordings. I had tried dynamic mics in the past but found the impedance was too high and left me with post recording processing to remove noise. This mic comes in with very good volume and no detectable noise at all. The internal pop filter works perfectly. I am simply using the Rode WS2 windshield and find its working perfectly. Vocals sound really smooth and broadcast quality. Build quality is typical Rode high quality. If you are looking for the best value mic for podcasting vocals and don't want to have to filter out noise later this is the only choice in my honest opinion. Well done Rode!
J**.
Es un micrófono excepcional que tiene una relación de calidad precio bastante alta el sonido es tibio no necesitas estar pegadísimo a él para obtener una ganancia alta. Es importante tener una buena técnica de micrófono ya que la cápsula se encuentra demasiado cerca del final de la rejilla no es como otros micrófonos que tiene la cápsula metida dentro del cuerpo. Esa es la razón por la cual muchos youtubers se quejan de que tiene consonantes explosivas Pero la verdad es que no tienen técnica de micrófono quienes lo utilizan.