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Keys to Drawing [Dodson, Bert] on desertcart.com. *FREE* shipping on qualifying offers. Keys to Drawing Review: A Classic and a MUST HAVE! INSPIRATION, INSPIRATION....INSPIRATION !!! - This is my absolute favorite of my 10 drawing books! This is a timeless classic, and is full of wonderful ( and sometimes...humorous ) illustrations. This book will have you saying: "Oh, yeah....why didn't I think of drawing THAT?"! It is full of wonderful drawings, in pencil, pen and ink, wash and ink, charcoal, black and white photos of pastel drawings ( or pastel paintings ). Did you ever think of just stretching out and looking at your feet, and shoes....and drawing THEM!? How about the sleeping family dog or cat?? Those make wonderful models? How about your jacket thrown over a chair....a work of Art?!! You will learn how to measure with your pencil, how to use your pencil or maybe even your fingers to line-up parts of your model...or even a the landscape that you may be looking at. Learn the importance of lighting from different angles, your viewpoint from different heights, learn balance and rhythm and harmony as components in your drawing process. You will NOT learn of your drawing materials options and choices in this book, though, get one of the other books for that. This book makes drawing both serious...and JUST PLAIN FUN! It is 221 pages, complete with lessons or projects for you to work on, on your own, or could be used for Classroom work. You just can't go wrong with this book if you use it as intended, this is a Classic and a KEEPER!! I would say that this would be for a very talented beginner to a more intermediate drawing Artist, to an advanced Artist. Ages would be from early High School on through College ...plus. IF you could only get two books I would say this one and the Complete Drawing Course by Ian Simpson. Buy, learn from it and ...ENJOY this book! Review: A very good text with excellent images. - Excellent book

| Best Sellers Rank | #41,944 in Books ( See Top 100 in Books ) #36 in Arts & Photography Study & Teaching #44 in Pencil Drawing |
| Customer Reviews | 4.7 4.7 out of 5 stars (1,474) |
| Dimensions | 8.5 x 0.51 x 11 inches |
| Edition | Reprint |
| ISBN-10 | 0891343377 |
| ISBN-13 | 978-0891343370 |
| Item Weight | 2.31 pounds |
| Language | English |
| Print length | 224 pages |
| Publication date | August 15, 1990 |
| Publisher | North Light Books |
B**I
A Classic and a MUST HAVE! INSPIRATION, INSPIRATION....INSPIRATION !!!
This is my absolute favorite of my 10 drawing books! This is a timeless classic, and is full of wonderful ( and sometimes...humorous ) illustrations. This book will have you saying: "Oh, yeah....why didn't I think of drawing THAT?"! It is full of wonderful drawings, in pencil, pen and ink, wash and ink, charcoal, black and white photos of pastel drawings ( or pastel paintings ). Did you ever think of just stretching out and looking at your feet, and shoes....and drawing THEM!? How about the sleeping family dog or cat?? Those make wonderful models? How about your jacket thrown over a chair....a work of Art?!! You will learn how to measure with your pencil, how to use your pencil or maybe even your fingers to line-up parts of your model...or even a the landscape that you may be looking at. Learn the importance of lighting from different angles, your viewpoint from different heights, learn balance and rhythm and harmony as components in your drawing process. You will NOT learn of your drawing materials options and choices in this book, though, get one of the other books for that. This book makes drawing both serious...and JUST PLAIN FUN! It is 221 pages, complete with lessons or projects for you to work on, on your own, or could be used for Classroom work. You just can't go wrong with this book if you use it as intended, this is a Classic and a KEEPER!! I would say that this would be for a very talented beginner to a more intermediate drawing Artist, to an advanced Artist. Ages would be from early High School on through College ...plus. IF you could only get two books I would say this one and the Complete Drawing Course by Ian Simpson. Buy, learn from it and ...ENJOY this book!
M**M
A very good text with excellent images.
Excellent book
S**T
The Book That Covers it ALL PERIOD
The Introduction This book, is probably the best drawing book i've ever read. Not only does he cover so much, but Bert Dodson also goes into detail with out boring the reader to sleep (unlike drawing on the right side of the brain) If you used amazon.com's online reader and see some drawings that look childish inside, don't let those discourage you. I was discouraged by those and immediately saw a new light when I actually READ the book. Many books that have fanciful pictures haven't covered NEARLY as much as Bert Dodson's book. I am ordering his other book, Keys to Drawing with Imagination: Strategies and Exercises for Gaining Confidence and Enhancing Your Creativity The Meat Keys To drawing covers things like, "Drawing what you See NOT WHAT YOU KNOW". Drawing from our minds or knowledge tends to be the problem with us. Humans have perspective filters that cause us to assume that we already KNOW how an object looks. So, as a result, when drawing, we tend to mix these "perception images" in with what we're actually seeing. Our minds dont take in as much information and detail about the subject as we think it does.This area of drawing from one's mind is a huge setback with many people, who eventually feel sure that they absolutely can't draw. This Book also covers topics like restating (a form of not erasing, but simply drawing a new line over the mistake), self critiquing (not having a negative dialogue with yourself, saying things such as, " That foot doesn't look right!" or " I never draw eyes good!"), the light source (learning how to tell where a shadow will form, how light affects and object, and "mapping" to assist in capturing light easier), the power of squinting (to flatten objects around you, and make them more manageable),negative space, merging shapes together, proportion (how to make something look exactly like you see it, extremely helpful techniques to make an accurate drawing and to make sure your subject will fit on the page, all done with tools you already have) and so on... really, there is lots more! (all of which I thought weren't going to help me the least bit in improving my drawings, but actually improved me and gave me as much insight as if I went to college and took a whole art class!) Still Unsure? Read on! Has anyone ever read those get rich quick books that always promise they know ways to make you rich, but always disappoint anyway? Well, keys to drawing is definitely the opposite. He, Bert Dodson, breaks these steps down clearly, with no shilly-shallying, no over stressing of a point. Some artists or authors have a hard time explaining themselves and can run on and on but him, oh he definitely knows what he's talking about. More Books I'm only thirteen so please excuse the lame review and just hold my word to it. I drew little people who were far from realistic, but with this book, along with Carrie Stuart Parks book ([ Secrets to Drawing Realistic Faces ) I can already see drastic differences in my sketches!. I would also recommend Lifelike Drawing with Lee Hammond . But lifelike drawings with lee hammond or secrets to drawing realistic faces probably do not break the steps down as easy or have as much detail as Bert Dodson because the authors tried to squeeze so much things into the book without putting much detail for each subject. Purchasing this Book The book is about the size of a textbook with less pages. (REALLY BIG) and I got my own (new book btw) for a really low price because I don't buy from amazon, i buy from the sellers within the amazon website.
J**N
A method to the madness?
Having recently rediscovered a love for watercolor and colored pencil, I decided that my drawing skills needed improvement if I were ever to achieve my dream of going to places and painting what I saw. At home, there are many substitutes for drawing talent. For instance, it is a simple matter to trace the lines of a photograph displayed on a laptop and then transfer the tracing to good paper. This is not possible in the field: hence the need to learn to sketch. Like many drawing books, Dodson is about getting past formulae for drawing certain objects to developing a general set of principles for drawing anything. By formulae, I mean the tendency to reduce drawing certain objects down to simple patterns. For instance a triangle on top of a square is a house, a circle on top of a rectangle is a tree, and so on. Dodson's strategy, like most other drawing books, involves reducing objects to constituent shapes, and then drawing them. In this fashion, you can, in principle, draw anything, and represent what you actually see rather than an archetype. This is all good stuff and very helpful. The difficulty comes in some of the crazy exercises Dodson suggests to get there. While many are on the mark, some seem to be of little help. For instance, there is a chapter on the "handwriting" of the artist. By handwriting, Dodson means the particular style each artist employs in drawing. He presents a number of different styles and then challenges the reader to copy one of the pictures in the artist's style and then to independently execute your own piece in that same style. Copying can be a fine tool for learning, but, coming as it does in chapter 2, it makes little sense for a beginning artist to try to mimic the style of, say, Matisse, when he or she has not yet developed her own style in any respect. This rather scattered approach mars what is otherwise a solid introduction to drawing.
A**R
If you could buy only one learn to draw book, buy this one! It will revolutionise how you draw. Having always loved art, I went through 3/4 of my life believing I was crap and that I couldn't draw. This will give you the confidence to realise that like anything, drawing is a skill that needs practising and (b) you shouldn't care what anyone else thinks. And most importantly, anyone can draw, given the right instruction and given confidence. I like how in part of the book, you see student examples of a hand and realise when you have a go, you are up there with them in creating a nice first ever and achievable drawing of your own hand. I really love the idea of learning to draw the outline of things and leaving the mistakes in as part of the process of capturing what you want to draw. Money well spent! I don't care if no one likes my drawings. The point is that I love them and this book gave me the confidence to accept my own work and be happy with my standard. And for the bad reviewers, maybe it's not everyone's style. I love pen and ink and sketchy watercolour paintings. I drew one of these with a stick from the garden. I like to see all my mistakes. It's about progression and learning to sketch before moving on the the bigger stuff. This book teaches you the foundations or keys to drawing. It teaches you how to develop your own style or handwriting. If you want a quick drawing program that teaches you how to copy someone else's style rather than loosening your hand up, creating your own handwriting or just giving you confidence, maybe look else where. The problem with many other books is when you realise you cannot aspire to being as good as the artist that produces them because you just haven't been taught all the skills or these book skip vital drawing skills. Additionally you have to keep practicing. These artists have been doing art for years. This book does not skip those steps! Good luck.
N**S
I searched the web for "how to draw, for beginners" and this book was on everybody’s top lists, so I bought it. I thought that there was going to be step by step tutorials on how to draw, but its not. I don’t even know what this book is all about. For me as a beginner, it didn’t give me anything at all. Waste of money!"
E**S
It was everything I needed. It explains things clearly, and is easy to follow. It has definitely improved my drawing skills.
A**B
Great learning tool
M**)
対象物との視点の位置から、始まり自分の靴、人物・静物・日常の生活物 巨匠のコピー(マティス・ゴッホ・ドガ・モランディ・コルビッツ) 各種のペンでの表現の違い、人物の顔の比率から全身の比率 パース・テクスティアの違い、パターンとデザイン、フレーミング 画面でのバランスと形、ドローイングの基礎が223ページで掲載されている。
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