The Scarlet Letter

The Scarlet Letter is truly one of literature's greatest triumphs, its characters and themes reverberating in our collective consciousness more than 150 years after its initial publication. Few novels inspire as much contemplation and feeling on the part of the reader. Hester Prynne, American fiction's first and foremost female heroine continues to haunt this world, inspiring a never-ending stream of scholarly debate. Even in our less puritanical age, some doubtless see her as a villainously great temptress, but to me she is a remarkably brave hero indeed. Her sin is known to all, and she never runs away from it, bearing the scarlet letter on her bosom bravely for all to see; she realizes the true measure of that sin, fretting constantly over the effects it will have on young Pearl, remaining steadfast in her beliefs while at the same time envisioning a new society where women and men can exist on more equal terms, free of the stultifyingly harsh punishments meted out on even the most repentant of souls by Puritanism. She shows her noble spirit by refusing to name her partner in sin and goes so far as to allow the ruthless Roger Chillingworth to torment the man she loves deeply enough to protect him for all time. Little Pearl is somewhat of an enigma, truly manifesting traits of both the imp and the little angel; her questions about the letter her mother wears and the minister who continually holds his hand against his heart reflect an insight that amazes this reader. Chillingworth is a thoroughly black-hearted man; I can certainly understand the blow he sustained as a result of Hester's sin, but his actions and thirst for prolonged revenge on the so-called perpetrator of the wrong he suffered can only be described as roguish and unpalatable. Of course, the most complex character in the novel (and literature as a whole) is the good minister Arthur Dimmsdale. One is compelled to both like him and despise him. He is basically a good man and an unquestionably fine soldier in the army of the Lord, winning many souls to God with his impassioned sermons. He is more aware than anyone else of his sinful nature, and he punishes himself quite brutally in private in a useless attempt to make up for the public ignominy he lacks the moral courage to call upon himself with a public profession of his deed. Dimmsdale is a coward and a hypocrite. At one critical moment in the latter pages of the novel, he blames Hester for his state of misery, and it is that comment in particular that makes this tragic character a man I can only commiserate with to a limited degree. Even at the penultimate moment of the novel, as he finally bears the mark of his shame and guilt for all his parishioners to see, the very men and women who have viewed him as a saintly man of God rather than the brigand he knows himself to be, he does not openly confess-his words and deeds do make plain the secret of his heart, but it is his lack of a thoroughly bold confession that causes some of his most devoted followers, so Hawthorne tells us, to blindly judge his final act as an illustrative parable on the danger of sin threatening each member of his congregation rather than an admission of guilt and self-condemnation.

Just look at a portrait of him as a young man, note the noble brow, the handsome features, the sensitivity, how romantic......... Curl up with this book and let Nathaniel tell you his tale in his beautiful poetic language . This is a book to be read quietly, alone, not in an airport lounge or on the subway, but preferably in a beautiful garden or sunroom with the windows open. Let the beauty of his language flow over you and transport you back in time. It is over 200 years since Nathaniel Hawthorne was born in Salem Massachusetts, his great great grandfather officiated at the Salem Witch Trials. He was both disturbed and intrigued by his ancestry. One day when working at The Custom House in Salem to make ends meet as a struggling young author, he discovered in one of the upstairs rooms some dusty old boxes, on opening them he found them to contain relics from the past, long since forgotten. Yellowing documents and an intriguing piece of embroidery, a scrap of faded and torn material with the letter A embroidered on it. He picked it up, and while wondering what it was, he held it up to his chest, and at that moment he claims to have felt a burning sensation which caused him to drop the piece of cloth. It gave him inspiration for this story along with documents he found about a woman called Hester Prynne. The scene he sets so vividly is somewhere around 350 years ago 150 years before he was born. In a time when behavior to which we can hardly be bothered to raise an eyebrow was in that day considered a punishable sin. A disgrace for life. Branded by having to wear a scarlet letter on the chest for all to see. It is a feminist novel, (Nathaniel Hawthorne supported women's rights). Briefly, the protagonist Hester Prynne has a child from an adulterous relationship and refuses to name the father. Her husband a physician much older than she has never been a "proper" husband to her so she had looked elsewhere for love. The husband vows to find the father of the child, and in exchange for her freedom makes Hester swear she will never disclose who her husband is. Her husband being a physician quickly deduces who the father is from the way he is wasting away under his burden of guilt. He sets about a long period of torment of the young man of which Hester is aware but can say nothing because of her promise. Finally she has had enough and decides to come clean, shaming the devil, (her husband) and redeeming the young man. I do not want to spoil anything by divulging the name of the father of the child in case you do not know. This is such a simple and brief account it would make Nathaniel wince to read it. There is so much more to the story. It states in the blurb that it is a psychological novel before there was a science called psychology. The way the characters in the story interact with each other, the symbolism, the different values of the day from Nathaniel's day, and then again to this day. The religious aspect in Puritan times, the emotional ups and downs as you empathize with first one and then another of the characters. It is a wonderful story and well deserving of its position as one of America's great classics.

One of the best editions, everything explained. The reading becomes much more complete with the explanatory summary.

このオックスフォードのシリーズは注釈、解説が充実していますので、研究者的なくどさを感じる面もありますが、読み進める上では参考になります。 ただ、誤植が何カ所か（例えばnotがhotになったり、それなりに別の単語に化けています）あり、ただでさえ19世紀の英語で苦労しているところへ持ってきて、突然意味不明の文に遭遇して焦る羽目に陥ります。それを勘案すると、残念ながらあまりお勧めできません。

Muy buena edición y libro, la portada es de cartón fino por lo que se puede doblar con facilidad. El tamaño es algo mas pequeño que un folio A5 pero está bien ya que no pesa y lo puedes llevar contigo. El texto está algo pegado para mi gusto, pero se puede leer fácilmente. En general recomiendo este artículo. Really good book and edition, the cover comes in paper format so you can easily bend it. The size is slightly smaller than a blank page but it's alright as it is not heavy and you can carry it with you. Overall, the text is a little bit small for my liking, but it's very easy to read. I highly recommend this product.

Modern readers may find the verbal eloquence of writers from this period trying. Like Irving, Hawthorne delighted in such loquaciousness, but even if it doesn't work for you, the story, primarily about appearances, is still pertinent and worth reading.

très bon état et très belle histoire classique, et je n'ai rien d'autre à ajouter à ce qui est déjà écrit