---
product_id: 3646823
title: "Pro Dual Over-Ear Headset Microphone - Professional Hands-Free Omni-Directional Boom Condenser Mic with 4-Pin Mini XLR, 3.9ft Cable, Windscreen - Secure Fit, Pro Audio for Presentations (Beige)"
brand: "pyle"
price: "S$65"
currency: SGD
in_stock: true
reviews_count: 8
category: "Pyle"
url: https://www.desertcart.sg/products/3646823-pro-dual-over-ear-headset-microphone-professional-hands-free-omni
store_origin: SG
region: Singapore
---

# Omnidirectional clarity Ergonomic dual-ear fit 4-pin Mini XLR secure connection Pro Dual Over-Ear Headset Microphone - Professional Hands-Free Omni-Directional Boom Condenser Mic with 4-Pin Mini XLR, 3.9ft Cable, Windscreen - Secure Fit, Pro Audio for Presentations (Beige)

**Brand:** pyle
**Price:** S$65
**Availability:** ✅ In Stock

## Summary

> 🎙️ Elevate your voice, stay hands-free, and own the room with pro sound invisibility!

## Quick Answers

- **What is this?** Pro Dual Over-Ear Headset Microphone - Professional Hands-Free Omni-Directional Boom Condenser Mic with 4-Pin Mini XLR, 3.9ft Cable, Windscreen - Secure Fit, Pro Audio for Presentations (Beige) by pyle
- **How much does it cost?** S$65 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sg](https://www.desertcart.sg/products/3646823-pro-dual-over-ear-headset-microphone-professional-hands-free-omni)

## Best For

- pyle enthusiasts

## Why This Product

- Trusted pyle brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **All-Day Comfort Fit:** Lightweight dual-ear metal frame designed for glasses, hats, and long sessions without fatigue.
- • **Crystal-Clear Omni Pickup:** Capture every word with professional-grade omnidirectional condenser tech for flawless vocal clarity.
- • **Rock-Solid 4-Pin Mini XLR:** Seamlessly integrates with wireless systems and mixers for uninterrupted, pro-level audio.
- • **Bonus Windscreens Included:** Reduce wind and plosive noise for pristine sound in any environment—presentation-ready from day one.
- • **Invisible On-Stage Presence:** Beige flesh-tone design blends naturally, keeping the focus on your performance, not your mic.

## Overview

The Pyle Pro PMHMS20 is a professional dual over-ear headset microphone featuring an omnidirectional condenser capsule with a 4-pin Mini XLR connector. It delivers crisp, clear audio across a 20Hz-20kHz range with 2kΩ output impedance, designed for presentations, performances, and broadcasts. Its lightweight, ergonomic metal frame fits comfortably with glasses or hats, while the beige color ensures minimal visibility. Includes two windscreens and a 3.9ft cable, making it a reliable, affordable solution for hands-free professional audio needs.

## Description

The PylePro PMHMS20 headset boom microphone provides professional, high-quality sound for performers, speakers, instructors, and broadcasters. Designed with a back electret condenser element, this headset microphone delivers crystal-clear audio across a full frequency response range of 20Hz to 20kHz. The omni-directional pickup pattern ensures consistent sound capture from all directions, making it ideal for dynamic and active use. It offers a sensitivity of -45dB ±3dB and a maximum input sound pressure level (SPL) of 130dB, handling louder sound sources with ease while maintaining clarity.Weighing only 15g, the lightweight and low-profile design offers superior comfort during extended wear. Its beige color blends naturally with a variety of skin tones, maintaining a discreet appearance on stage or during presentations. The attached 1.2-meter cable connects through a durable 4-pin mini XLR connector, ensuring secure compatibility with many popular wireless systems. The output impedance is rated at 1kΩ ±30%, and it operates on a DC power supply between 1.5V and 10V for flexible integration with existing equipment.Two included windscreens help minimize plosive sounds and wind interference for cleaner recordings. The PylePro PMHMS20 is the ideal solution for those needing reliable, comfortable, and crystal-clear voice amplification across professional environments.

Review: Value of the century..... - Excellent. Not a sonic replacement for an E6 or a WL-93, but pretty darn close especially for the price. For 13.99 you can buy 30 of these instead of an E6. Having been in audio for 3 decades I was helping with a meagerly budgeted sound design for a high school musical. There was some investigation into name brand gear before I got involved. With students we needed a low cost solution to get as as many kids miced as possible. At this price the mics are almost disposable - and indeed during two dress rehearsals and a 3 night run the kids managed to toast at least 6 of the 30 mics I bought. After having been through 2 musicals with students my suggestion would be to buy these and immediately remove and throw away the ear hooks. The wire design where it clips onto the ear hook at the back of the neck was the problem. Kids hastily adjusting the mic would slide the metal frame back from the end of the mic and put strain on the clip holding the wire the the frame. This would cause rapid failure - sometimes only after one use as the strain breaks the wire. The best solution is to lose the ear hooks altogether which leaves you with the mic only on the end of a gently bent stiff wire that is perfect length to run through the hair emerging above the forehead as a head mic. Clip it into the hair discretely with small hair clips or bobby pins and you have an almost invisible mic! Plus it sounds better than the mic at the side of the mouth. I compared several of these and indeed most of the mud, woof and resonance from the chest/neck is gone when the mic is at the hairline. Plus with it lying against the skull my guess is that you are getting a bit of sub 100hz bone conduction that helps define the voice. I turned several of the ear hook mics into head mics after they started to show signs of impending failure - I reinforced each one with heat shrink tubing where the wire meets the frame - not a single one failed after that! Also no mic got torn off during quick costume changes. Some of the guys wanted to keep the mics as earhook booms. The headset mics sounded better and didn't get ripped off their heads. The gain did have to be a bit higher on the head mics, but I didn't have any feedback problems. The only feedback I had was consistently at 253 and 6.4k and that was during high volume checks and ringing out the system. Not a single feedback problem was had during the shows. In summary: buy these, lose the wire frame, heat shrink and reinforce the connections and strain points. Get some moleskin tape & tape the wire well to the back of the neck with enough slack. Then you will have a mic for every kid - every one has their own mic and you only have to swap body packs during scene changes Trust me - If you try to skimp on the number of mics you purchase & try to pass the mics back and forth you will destroy them quickly. You will save more in the long run by using the head mic method. Also the connectors are XLR 4 pin and work with Shure systems. There were 5 Shure UGX pack already there that worked perfectly. In addition I purchased 2 GTD audio UHF G747L systems (these are 3 pin and will require you to swap XLR connectors from 4 to 3). I am completely blown away by these. I got them through another source other than desertcart, but you can find them on desertcart for $325. The range on these is incredible - better than the Shure UGX. Upon further investigation these are chinese knock-offs of the Shure SGX series. I can't believe they are allowed to be sold and Shure hasn't gone after them. Why? They have the same LCD screen, the same functions - even the manual uses the same terminology. They are total counterfeits - and they perform brilliantly. So throw in a couple Behringer quad expander/compressor units, a five space rack bag and I was able to outfit the school with 8 extra wireless channels (for a total of 13 channels) and a total of 30+ mics for $1300. Every kid (who didn't trash their mic) could be heard. Not bad for $1300 when the going rate for good UHF diversity is $500+ a channel.....
Review: Amazing microphone for an amazing price. - I am a recording Engineer, Producer, Singer performer. I have been giving concerts Solo (15 years), Trio with two others (10 years) and Duet concerts (1 year) . . . All three are concurrent and ongoing. I have recorded and mixed and mastered three CDs. I use Bruel and Kjaer 4011, Bruel and Kjaer 4006, and AKG Perception microphones for recording. I have designed an amazing compact PA system that I assembled from components purchased that has outperformed all commercial PA systems costing 10 times more. The system fits into my Toyota car and puts out 800 watts per channel with a frequency response that extends from 20 Hz to 35 KHz!! I use Shure Handheld condenser Wireless Beta 87A as well as the AKG digital wireless microphones for routine concert use. Occasionally I pull out my $600 Countryman wireless. I decided to try this because it was so inexpensive with a double ear "suspension" I was simply amazed at the sound quality... yes, perhaps not the same quality as my countryman but pretty close to it!! And if any one is picky but has a good ear, you can easily fine tune this mic to match the frequency response of the Countryman. As Bob Carver, my Audio mentor and friend has often told me, as long as one starts with a good quality microphone, you can make it sound like any other microphone with the proper EQ!! This microphone does the job splendidly... so much so, I have purchased a total of 8 of these at $15 each. I use this exclusively for all my live concerts. I have also recommended this to quite a few musician friends. The only problem I found is that this company does not make a carrying case for this. It is awkward to transport. So I had to buy a Pelican case 1170 for $37 in which I can carry 4 or 6 six of them.

## Features

- PROFESSIONAL SOUND QUALITY: With its omnidirectional feature, 2kΩ ohms± 30% output impedance, professional sound quality, this condenser mic delivers crisp and clear vocals without huffing making it ideal for any voice audio and speech application.
- 4 PIN MINI XLR CONNECTION: This headset is equipped with 4pin Mini XLR plug cable wire connector and comes with 2 windscreens. Works with body/belt pack transmitter system or with direct connection to studio mixer.
- COMFORTABLE AND DURABLE: The ergonomic, flexible design of the wired headset microphone gives you freedom of movement. Suitable for any occasion, the double ear metal frame fits comfortably for users wearing glasses, hats, headphones and more.
- MINIMUM MICROPHONE VISIBILITY: The beige flesh toned color of this wired over ear headset microphone system blends in with various skin types and is practically invisible. Designed for dj, hosts, singing, recording and all kinds of users.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B003D2VT2K |
| Age Range (Description) | Adult |
| Audio Driver Type | Balanced Armature Driver |
| Batteries | 1 Lithium Ion batteries required. |
| Best Sellers Rank | #2,824 in Musical Instruments ( See Top 100 in Musical Instruments ) #16 in Wireless Headset Microphones & Systems |
| Cable Feature | Tangle Free |
| Compatible Devices | Desktops, Laptops, Music Production Equipment, Smart Speaker, Television |
| Connectivity Technology | Wired |
| Control Method | Remote |
| Control Type | Volume Control |
| Customer Package Type | Standard Packaging |
| Customer Reviews | 4.4 4.4 out of 5 stars (958) |
| Date First Available | March 19, 2010 |
| Earpiece Shape | Hook |
| Frequency Response | 20 KHz |
| Global Trade Identification Number | 00068888904254 |
| Headphones Jack | 4 pin Mini XLR |
| Included Components | 2 Foam Windscreens, Headband, Microphone, User Manual |
| Input Device Interface | 4 pin Mini XLR |
| Is Discontinued By Manufacturer | No |
| Item Weight | 3.87 ounces |
| Item model number | PMHMS20 |
| Manufacturer | Sound Around |
| Material | Metal, Plastic |
| Model Name | PMHMS20 |
| Noise Control | None |
| Number of Items | 1 |
| Product Dimensions | 6.5 x 3.25 x 6 inches |
| Recommended Uses For Product | Calling, Disc Jockey Use, Office Meetings, Recording, Singing |
| Special Feature | Microphone Included |
| Specific Uses For Product | Fitness, Professional, School |
| Style | Headset |
| Supports Bluetooth Technology | No |
| UPC | 807031757640 182682351066 804066807067 068888904254 701988345502 |
| Unit Count | 1.0 Count |
| Water Resistance Level | Not Water Resistant |

## Product Details

- **Brand:** Pyle
- **Color:** Beige/Matches Various Skin Types
- **Ear Placement:** Over Ear
- **Form Factor:** Over Ear
- **Impedance:** 2000 Ohms

## Images

![Pro Dual Over-Ear Headset Microphone - Professional Hands-Free Omni-Directional Boom Condenser Mic with 4-Pin Mini XLR, 3.9ft Cable, Windscreen - Secure Fit, Pro Audio for Presentations (Beige) - Image 1](https://m.media-amazon.com/images/I/61L+ngl6A6L.jpg)

## Questions & Answers

**Q: will this mic work with TECHNICA ...**
A: Assuming the question is whether the mic will work with an Audio-Technica body pack transmitter, the answer is no.  This mic is wired for a Shure body pack.  Audio-Technica and Shure both use 4-pin connectors; however, they are wired differently.  The pin-out functions do not match.  Audio-Technica: 1=ground; 2=line input; 3=mic input; 4=bias.  Shure: 1=ground; 2=bias; 3=audio input; 4=ground through load.  I do not believe that Pyle offers this mic with an Audio-Technica-wired connector.

**Q: does it have a 1/4 inch plug ?**
A: This EXACT model does NOT have a 1/4 inch plug.  You'd want to buy the "Pyle-Pro PMHM2 Omni-directional Head Worn Microphone (3.5mm / 1/4'')" - which DOES have the 1/4 inch plug.

**Q: Do you have any "hair-line" models (ones that can be hidden in the hairline of a performer)?**
A: I don’t know. I am not the vendor. 
These have worked just fine for us.

**Q: Can this mic be worn to work on either side of the face? Maybe upside down, resting on the neck instead of the back of the head as in the image?**
A: Yes, it can be worn on either side of the face if you turn it upside down. You can also rest it on the back of the neck instead of the the back of the head. You will just need to do some adjustments.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Value of the century.....
*by S***M on March 30, 2014*

Excellent. Not a sonic replacement for an E6 or a WL-93, but pretty darn close especially for the price. For 13.99 you can buy 30 of these instead of an E6. Having been in audio for 3 decades I was helping with a meagerly budgeted sound design for a high school musical. There was some investigation into name brand gear before I got involved. With students we needed a low cost solution to get as as many kids miced as possible. At this price the mics are almost disposable - and indeed during two dress rehearsals and a 3 night run the kids managed to toast at least 6 of the 30 mics I bought. After having been through 2 musicals with students my suggestion would be to buy these and immediately remove and throw away the ear hooks. The wire design where it clips onto the ear hook at the back of the neck was the problem. Kids hastily adjusting the mic would slide the metal frame back from the end of the mic and put strain on the clip holding the wire the the frame. This would cause rapid failure - sometimes only after one use as the strain breaks the wire. The best solution is to lose the ear hooks altogether which leaves you with the mic only on the end of a gently bent stiff wire that is perfect length to run through the hair emerging above the forehead as a head mic. Clip it into the hair discretely with small hair clips or bobby pins and you have an almost invisible mic! Plus it sounds better than the mic at the side of the mouth. I compared several of these and indeed most of the mud, woof and resonance from the chest/neck is gone when the mic is at the hairline. Plus with it lying against the skull my guess is that you are getting a bit of sub 100hz bone conduction that helps define the voice. I turned several of the ear hook mics into head mics after they started to show signs of impending failure - I reinforced each one with heat shrink tubing where the wire meets the frame - not a single one failed after that! Also no mic got torn off during quick costume changes. Some of the guys wanted to keep the mics as earhook booms. The headset mics sounded better and didn't get ripped off their heads. The gain did have to be a bit higher on the head mics, but I didn't have any feedback problems. The only feedback I had was consistently at 253 and 6.4k and that was during high volume checks and ringing out the system. Not a single feedback problem was had during the shows. In summary: buy these, lose the wire frame, heat shrink and reinforce the connections and strain points. Get some moleskin tape & tape the wire well to the back of the neck with enough slack. Then you will have a mic for every kid - every one has their own mic and you only have to swap body packs during scene changes Trust me - If you try to skimp on the number of mics you purchase & try to pass the mics back and forth you will destroy them quickly. You will save more in the long run by using the head mic method. Also the connectors are XLR 4 pin and work with Shure systems. There were 5 Shure UGX pack already there that worked perfectly. In addition I purchased 2 GTD audio UHF G747L systems (these are 3 pin and will require you to swap XLR connectors from 4 to 3). I am completely blown away by these. I got them through another source other than amazon, but you can find them on amazon for $325. The range on these is incredible - better than the Shure UGX. Upon further investigation these are chinese knock-offs of the Shure SGX series. I can't believe they are allowed to be sold and Shure hasn't gone after them. Why? They have the same LCD screen, the same functions - even the manual uses the same terminology. They are total counterfeits - and they perform brilliantly. So throw in a couple Behringer quad expander/compressor units, a five space rack bag and I was able to outfit the school with 8 extra wireless channels (for a total of 13 channels) and a total of 30+ mics for $1300. Every kid (who didn't trash their mic) could be heard. Not bad for $1300 when the going rate for good UHF diversity is $500+ a channel.....

### ⭐⭐⭐⭐⭐ Amazing microphone for an amazing price.
*by N***H on July 9, 2015*

I am a recording Engineer, Producer, Singer performer. I have been giving concerts Solo (15 years), Trio with two others (10 years) and Duet concerts (1 year) . . . All three are concurrent and ongoing. I have recorded and mixed and mastered three CDs. I use Bruel and Kjaer 4011, Bruel and Kjaer 4006, and AKG Perception microphones for recording. I have designed an amazing compact PA system that I assembled from components purchased that has outperformed all commercial PA systems costing 10 times more. The system fits into my Toyota car and puts out 800 watts per channel with a frequency response that extends from 20 Hz to 35 KHz!! I use Shure Handheld condenser Wireless Beta 87A as well as the AKG digital wireless microphones for routine concert use. Occasionally I pull out my $600 Countryman wireless. I decided to try this because it was so inexpensive with a double ear "suspension" I was simply amazed at the sound quality... yes, perhaps not the same quality as my countryman but pretty close to it!! And if any one is picky but has a good ear, you can easily fine tune this mic to match the frequency response of the Countryman. As Bob Carver, my Audio mentor and friend has often told me, as long as one starts with a good quality microphone, you can make it sound like any other microphone with the proper EQ!! This microphone does the job splendidly... so much so, I have purchased a total of 8 of these at $15 each. I use this exclusively for all my live concerts. I have also recommended this to quite a few musician friends. The only problem I found is that this company does not make a carrying case for this. It is awkward to transport. So I had to buy a Pelican case 1170 for $37 in which I can carry 4 or 6 six of them.

### ⭐⭐⭐⭐ love these mics for the price! Anyone have the same issue with them recently? Had to send them back...but gave them 4 stars.
*by T***1 on November 14, 2015*

Unfortunately, I had to send all three mics back for a refund...here's why. First..I think the quality of the mic and the feel is very good for the price...so I ordered three. I'm an aerobics/boot camp instructor and personal fitness trainer, so i needed mics that i could trade out and that didn't cost a small fortune when one was cooked from sweat or otherwise defunct. There was only one winsdscreen attached when the ad said there are two included windscreens. Other than that, they arrived quickly, almost as expected save for the windscreen...but none of them worked in our Shure system. I had an old one that still worked fine, same mic. I ended up returning after having several looks to see if I was doing something wrong or possible ordered the wrong mics. I did order the right mics and find it odd that all 3 were not opoerable. I checked pins, cleaned our system, everything...so...maybe it was just a bad batch? Anyone else experience this issue. I love these mics and would love to order again...especially for this [price. I ended up buying another for 46 bucks. yes...it is better quality all around but at 4 times more`cost per mic...Id much rather order these! My question is can I do so safely? Was this just an off coincidence.? Could it be i missed something? thanks! Ted

## Frequently Bought Together

- Pyle Pro Double Over Ear Microphone Headset - Professional Hands-Free Omni-Directional Wired Boom Condenser Microphone with 4 Pin Mini XLR, 1.2M Cable, Windscreen (Beige)
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- OnStage ASWS20N10 Tan Windscreens for Headset Microphones, 10 Pack

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*Product available on Desertcart Singapore*
*Store origin: SG*
*Last updated: 2026-01-22*