---
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title: "In Cold Blood"
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---

# In Cold Blood

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In Cold Blood [Truman Capote] on desertcart.com. *FREE* shipping on qualifying offers. In Cold Blood

Review: A Remarkable Page-Turner Even Though You Already Know the Outcome - When a book like IN COLD BLOOD reaches the level of being a classic, there has to be a reason. Consider the following two excerpts: "The land is flat, and the views are awesomely extensive; horses, herds of cattle, a white cluster of grain elevators rising as gracefully as Greek temples are visible long before a traveler reaches them." "Then, starting home, he walked toward the trees, and under them, leaving behind him the big sky, the whisper of wind voices in the wind-bent wheat." The former excerpt is from Capote's opening paragraph; the latter cointains his closing sentence. Both are extraordinary, especially for their time, in capturing the mood and poetry of a place in the middle of a true-life story of a horrific mass murder. As is certainly well known, IN COLD BLOOD is Truman Capote's magazine-article-turned full-length-docu-novel about the murders of four members of the Clutter family in their Holcomb, Kansas, farmhouse in November 1959. The two killers, Dick Hickock and Perry Smith, were ultimately caught, tried, sentenced, and executed, factual matters that are still commonly known today thanks to two recent movies about Capote's life and his efforts to write the book. Even at its publication, IN COLD BLOOD was not a detective story in the traditional sense, since everyone already knew the perpetrators and the case's eventual disposition. In an era when such incidents were reported either factually (newspaper style) or sensationally (crime magazine style), Truman Capote effectively created an entire new genre: journalism as art form. Writing with a level of descriptive detail about places and events that create a strong sense of immediacy in the reader's mind, he begins his story with a re-creation of the Clutter family's last day of life. The effect is profound and eerie, since these pages are read with a foreknowledge of death not shared by the real-life characters on the page. Capote builds his suspense masterfully, alternating between the movements of Hickock and Smith and those of the Clutters (husband and father Herbert, perennially sick wife and mother Bonnie, intelligent, tinkering son Kenyon, and All-American sweetheart daughter and town darling Nancy. As he brings the two parties closer and closer together, Capote continues to fill in background on their respective lives. By the time his orchestrated characters have reached their mutual, bloody crescendo, the reader is intimately acquainted with them as individuals and their respective life stories. Thus, the author gives us individuals with whom we are intimate as characters in a novel, yet they are real people about whom he is reporting in a senseless, horrifying mass murder story. This is Capote's genius and the source of his book's classic status - factual reporting that reads like a novel, displaying the intimacy with its characters that is normally reserved for the so-called "omniscient author," the one who can hear, share, and express his or her characters' most private thoughts and motivations. Capote's pacing and remarkable eye for detail never relent as the story moves from crime to investigation, arrest, and trial by jury. He maneuvered himself into a situation where he was privy to every detail of the police investigation; it is equally clear he had extended access to Hickock and Smith throughout their ordeal, up to and including their ultimate disposition. While it was doubtless a level of access no longer available to reporters or writers, Capote took maximum advantage of it in crafting his story. What comes out of it, surprisingly, is a tale of two socially maladjusted young men of above-average intelligence whose trial was of questionable fairness, particularly as regards the mental health of one of them (who was probably more criminally insane than scheming murderer). In one of the book's most telling moments, Capote recounts the reports that the court-appointed psychiatrist would have rendered had the judge (and Kansas state law at the time) allowed them to do so. IN COLD BLOOD is truly a master work by an effete, East Coast reporter who beat the odds (and prejudices, no doubt) and entwined himself in his story and the lives of its actors to an unheard-of degree. The result was, and is, more than just a gripping account of a horrendous crime. It is a study in criminality: its victims, its effect on their families and community, its perpetrators and their families, even on the law enforcement personnel involved in the investigation. One can hardly imagine a more finely drawn study of a single crime and its all-too-human impact, presented in a form that remains to this day a page-turner in the very best sense of that phrase.
Review: Haunting Heavy Hitter that Sticks - I must admit that I approached this novel with many a bias and preconceived notion. I was curious about the claims that the author, Truman Capote, had created a new type of book-- the nonfiction novel. Let's use a word nerd alert to get down to the marrow of those two words: nonfiction |nänˈfik sh ən| prose writing that is based on facts, real events, and real people, such as biography or history. -and- novel |ˈnävəl| a fictitious prose narrative of book length, typically representing character and action with some degree of realism. How can a novel which is by definition a fictitious tale with realistic leanings be nonfiction? Can one possibly glean enough fact, setting, character descriptions, and plot to flesh out an entire novel worth reading? I suspected not. So how do I feel now that I have read the book? I have several thoughts... here a few. The tone of the novel is journalistic in nature with a sympathetic overtone interwoven towards the victims -- and also the killers. I'll admit that this was off putting for me. The title for the book is a duplicitous moniker. "In Cold Blood" refers to the way the Clutter family was brutally murdered, but it also reflects the opinion of the author regarding the judicial treatment and sentencing of the murderers Perry Smith and Dick Hickok. When reading a book about a horrific mass murder, one does not expect to cultivate tender feelings for the people holding the guns. And yet, Capote tries his darnedest to incite empathy for the tough, neglected, even abusive past of these two individuals. A greasy, charming, sticky fingered ladies man -- Hickok is always at the ready with a dirty joke and a hot check. He is apparently ashamed of his tendency to rape young adolescent girls, but that doesn't seem to impede his impulse to do it... several times. He is classified as knowing right from wrong, but due to a car crash that could possibly have damaged his brain-- he now only lives on his impulses with no thought for the consequences. His parents are present but poor. Perry Smith has a troubled past to be sure. His parents --former rodeo performers turned cross country impoverished gypsies-- separate after his mother turns to alcohol to assuage her anxiety. After a particularly bad fight, the mother sweeps off with the children. The father does very little to reclaim his children over the years. The mother finally drinks herself to death, but not before turning all of her children over to the state. Perry's sisters and older brother are reprimanded to an orphanage. Perry has a horrific experience at a catholic institution where a nun tortures him for wetting the bed. He later begins to act out his aggression and is sent to some sort of detention center where he is again abused. He becomes ill and hospitalized --only then does his father find him and take him in. (But they have a tumultuous relationship that ends in Perry nearly killing his father and abandoning him for the merchant marines.) Perry's character is the oddest combination of an uneducated intelligent poet type with an unchecked thinly veiled murderous rage. His demeanor is disarming, his crippled physicality mollifying, his internal dialogue is haunting. He truly scares me. A shrouded menace that beguiles it's prey into believing itself nurtured and safe... Capote also gives us some psychiatric jargon to back up his feelings that these two praire-billy slaying thieves were simply overly vilified mentally inept victims themselves. However, this doesn't ring true-- with this reader at least. They had hard lives, physical and emotional trauma, and yet I couldn't find it in my heart to leap on the weep wagon for them after reading the descriptions --personal interview descriptions-- of what they meticulously did to the entire Clutter family. I will not go into those details here, but the level of callus premeditated apathy for human life is appalling. The book is well written and does softly tread the line of novel and fact. I believe there to be several embellishments but none that detract from the horror or heart of the story set before you. I was held captive, suffered, and was sentenced along with the characters in the story. To put it lightly, I was enthralled and would read many a more book written in this style. This book was a heavy hitter, and the actual facts made it that much more serious and engaging. I rate this book a 4 because I haven't stopped thinking about it since I put it down. Please follow my other reviews at ladyofliteraryleisure.blogspot.com

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #3,314 in Books ( See Top 100 in Books ) #2 in Criminology (Books) #9 in U.S. State & Local History #11 in Murder & Mayhem True Accounts |
| Customer Reviews | 4.5 4.5 out of 5 stars (25,578) |
| Dimensions  | 5.15 x 0.78 x 8.02 inches |
| Edition  | Edition Unstated |
| ISBN-10  | 0679745580 |
| ISBN-13  | 978-0679745587 |
| Item Weight  | 9.3 ounces |
| Language  | English |
| Print length  | 343 pages |
| Publication date  | February 1, 1994 |
| Publisher  | Vintage |

## Images

![In Cold Blood - Image 1](https://m.media-amazon.com/images/I/81Y9w3D1MgL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A Remarkable Page-Turner Even Though You Already Know the Outcome
*by S***S on September 27, 2009*

When a book like IN COLD BLOOD reaches the level of being a classic, there has to be a reason. Consider the following two excerpts: "The land is flat, and the views are awesomely extensive; horses, herds of cattle, a white cluster of grain elevators rising as gracefully as Greek temples are visible long before a traveler reaches them." "Then, starting home, he walked toward the trees, and under them, leaving behind him the big sky, the whisper of wind voices in the wind-bent wheat." The former excerpt is from Capote's opening paragraph; the latter cointains his closing sentence. Both are extraordinary, especially for their time, in capturing the mood and poetry of a place in the middle of a true-life story of a horrific mass murder. As is certainly well known, IN COLD BLOOD is Truman Capote's magazine-article-turned full-length-docu-novel about the murders of four members of the Clutter family in their Holcomb, Kansas, farmhouse in November 1959. The two killers, Dick Hickock and Perry Smith, were ultimately caught, tried, sentenced, and executed, factual matters that are still commonly known today thanks to two recent movies about Capote's life and his efforts to write the book. Even at its publication, IN COLD BLOOD was not a detective story in the traditional sense, since everyone already knew the perpetrators and the case's eventual disposition. In an era when such incidents were reported either factually (newspaper style) or sensationally (crime magazine style), Truman Capote effectively created an entire new genre: journalism as art form. Writing with a level of descriptive detail about places and events that create a strong sense of immediacy in the reader's mind, he begins his story with a re-creation of the Clutter family's last day of life. The effect is profound and eerie, since these pages are read with a foreknowledge of death not shared by the real-life characters on the page. Capote builds his suspense masterfully, alternating between the movements of Hickock and Smith and those of the Clutters (husband and father Herbert, perennially sick wife and mother Bonnie, intelligent, tinkering son Kenyon, and All-American sweetheart daughter and town darling Nancy. As he brings the two parties closer and closer together, Capote continues to fill in background on their respective lives. By the time his orchestrated characters have reached their mutual, bloody crescendo, the reader is intimately acquainted with them as individuals and their respective life stories. Thus, the author gives us individuals with whom we are intimate as characters in a novel, yet they are real people about whom he is reporting in a senseless, horrifying mass murder story. This is Capote's genius and the source of his book's classic status - factual reporting that reads like a novel, displaying the intimacy with its characters that is normally reserved for the so-called "omniscient author," the one who can hear, share, and express his or her characters' most private thoughts and motivations. Capote's pacing and remarkable eye for detail never relent as the story moves from crime to investigation, arrest, and trial by jury. He maneuvered himself into a situation where he was privy to every detail of the police investigation; it is equally clear he had extended access to Hickock and Smith throughout their ordeal, up to and including their ultimate disposition. While it was doubtless a level of access no longer available to reporters or writers, Capote took maximum advantage of it in crafting his story. What comes out of it, surprisingly, is a tale of two socially maladjusted young men of above-average intelligence whose trial was of questionable fairness, particularly as regards the mental health of one of them (who was probably more criminally insane than scheming murderer). In one of the book's most telling moments, Capote recounts the reports that the court-appointed psychiatrist would have rendered had the judge (and Kansas state law at the time) allowed them to do so. IN COLD BLOOD is truly a master work by an effete, East Coast reporter who beat the odds (and prejudices, no doubt) and entwined himself in his story and the lives of its actors to an unheard-of degree. The result was, and is, more than just a gripping account of a horrendous crime. It is a study in criminality: its victims, its effect on their families and community, its perpetrators and their families, even on the law enforcement personnel involved in the investigation. One can hardly imagine a more finely drawn study of a single crime and its all-too-human impact, presented in a form that remains to this day a page-turner in the very best sense of that phrase.

### ⭐⭐⭐⭐ Haunting Heavy Hitter that Sticks
*by C***S on November 15, 2012*

I must admit that I approached this novel with many a bias and preconceived notion. I was curious about the claims that the author, Truman Capote, had created a new type of book-- the nonfiction novel. Let's use a word nerd alert to get down to the marrow of those two words: nonfiction |nänˈfik sh ən| prose writing that is based on facts, real events, and real people, such as biography or history. -and- novel |ˈnävəl| a fictitious prose narrative of book length, typically representing character and action with some degree of realism. How can a novel which is by definition a fictitious tale with realistic leanings be nonfiction? Can one possibly glean enough fact, setting, character descriptions, and plot to flesh out an entire novel worth reading? I suspected not. So how do I feel now that I have read the book? I have several thoughts... here a few. The tone of the novel is journalistic in nature with a sympathetic overtone interwoven towards the victims -- and also the killers. I'll admit that this was off putting for me. The title for the book is a duplicitous moniker. "In Cold Blood" refers to the way the Clutter family was brutally murdered, but it also reflects the opinion of the author regarding the judicial treatment and sentencing of the murderers Perry Smith and Dick Hickok. When reading a book about a horrific mass murder, one does not expect to cultivate tender feelings for the people holding the guns. And yet, Capote tries his darnedest to incite empathy for the tough, neglected, even abusive past of these two individuals. A greasy, charming, sticky fingered ladies man -- Hickok is always at the ready with a dirty joke and a hot check. He is apparently ashamed of his tendency to rape young adolescent girls, but that doesn't seem to impede his impulse to do it... several times. He is classified as knowing right from wrong, but due to a car crash that could possibly have damaged his brain-- he now only lives on his impulses with no thought for the consequences. His parents are present but poor. Perry Smith has a troubled past to be sure. His parents --former rodeo performers turned cross country impoverished gypsies-- separate after his mother turns to alcohol to assuage her anxiety. After a particularly bad fight, the mother sweeps off with the children. The father does very little to reclaim his children over the years. The mother finally drinks herself to death, but not before turning all of her children over to the state. Perry's sisters and older brother are reprimanded to an orphanage. Perry has a horrific experience at a catholic institution where a nun tortures him for wetting the bed. He later begins to act out his aggression and is sent to some sort of detention center where he is again abused. He becomes ill and hospitalized --only then does his father find him and take him in. (But they have a tumultuous relationship that ends in Perry nearly killing his father and abandoning him for the merchant marines.) Perry's character is the oddest combination of an uneducated intelligent poet type with an unchecked thinly veiled murderous rage. His demeanor is disarming, his crippled physicality mollifying, his internal dialogue is haunting. He truly scares me. A shrouded menace that beguiles it's prey into believing itself nurtured and safe... Capote also gives us some psychiatric jargon to back up his feelings that these two praire-billy slaying thieves were simply overly vilified mentally inept victims themselves. However, this doesn't ring true-- with this reader at least. They had hard lives, physical and emotional trauma, and yet I couldn't find it in my heart to leap on the weep wagon for them after reading the descriptions --personal interview descriptions-- of what they meticulously did to the entire Clutter family. I will not go into those details here, but the level of callus premeditated apathy for human life is appalling. The book is well written and does softly tread the line of novel and fact. I believe there to be several embellishments but none that detract from the horror or heart of the story set before you. I was held captive, suffered, and was sentenced along with the characters in the story. To put it lightly, I was enthralled and would read many a more book written in this style. This book was a heavy hitter, and the actual facts made it that much more serious and engaging. I rate this book a 4 because I haven't stopped thinking about it since I put it down. Please follow my other reviews at ladyofliteraryleisure.blogspot.com

### ⭐⭐⭐⭐⭐ A Heart-Pounding Saga That Hits All the Right Notes
*by A***4 on May 2, 2025*

5/5 Truman Capote’s In Cold Blood is a true-crime epic that grabs you by the heart and doesn’t let go. This isn’t just a story about a murder; it’s a deep dive into a Kansas town’s soul, with characters so real you feel their joys and fears. Capote’s writing is pure gold, painting Holcomb’s wide-open plains and cozy homes with such vividness I could smell the wheat fields. Every page crackles with detail, from the Clutter family’s warm routines to the killers’ twisted paths, making this 1959 tragedy feel alive and gut-wrenching. For someone who loves big stories and complex characters, this is a home run. The Clutters, the investigators, even the perpetrators—everybody’s fleshed out with care. You’ll ache for the family’s lost dreams and get chills watching the killers wrestle with their own demons. Capote nails the emotional payoff, weaving justice, loss, and quiet hope. One line sums up the story’s haunting grip: “Imagination, of course, can open any door—turn the key and let terror walk right in.” It’s a history lesson and a crime thriller rolled into one. I was skeptical about the hype, but this book earned every bit of praise. In Cold Blood is a masterclass in storytelling—deep, thrilling, and unforgettable. If you’re into history or crime, you will love this story.

## Frequently Bought Together

- In Cold Blood
- Killers of the Flower Moon: The Osage Murders and the Birth of the FBI
- Just Mercy: A Story of Justice and Redemption (One World Essentials)

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