---
product_id: 14572888
title: "Two-Lane Blacktop"
price: "S$58"
currency: SGD
in_stock: true
reviews_count: 12
url: https://www.desertcart.sg/products/14572888-two-lane-blacktop
store_origin: SG
region: Singapore
---

# Two-Lane Blacktop

**Price:** S$58
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Two-Lane Blacktop
- **How much does it cost?** S$58 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sg](https://www.desertcart.sg/products/14572888-two-lane-blacktop)

## Best For

- Customers looking for quality international products

## Why This Product

- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Description

Drag racing east from L.A. in a souped-up '55 Chevy are the wayward Driver and Mechanic (singer/songwriter James Taylor and the Beach Boys' Dennis Wilson, in their only acting roles), accompanied by a tagalong Girl (Laurie Bird). Along the way, they meet Warren Oates's Pontiac GTO-driving wanderer and challenge him to a cross-country race - the prize: their cars' pink slips. Yet no summary can do justice to the existential punch of Two-Lane Blacktop. Maverick director Monte Hellman's stripped-down narrative, gorgeous widescreen compositions, and sophisticated look at American male obsession make this one of the artistic high points of 1970s cinema, and possibly the greatest road movie ever made.

Review: great movie - Absolutely awesome movie
Review: Existential Road Trip - Less dated than Easy Rider, this early 70's time capsule is an existential masterpiece. What the hell does that mean? It means the film is full of space. It's about absolute nothing, or everything, or somewhere in between. It's a poem that doesn't deliver what an audience expects but is utterly faithful to it's idea. It doesn't have an emotional pay-off, but instead finds a stylish way to cinematically burn rubber and fade away. It's characters are called Driver, Mechanic, GTO and Girl. Its stars are James Taylor (yeah the pop singer), Dennis Wilson (yeah the late Beach Boy), Warren Oates (in perhaps his finest performances) and Laura Bird (most won't know her, she's good). Driver and Mechanic are the original slackers. They love racing, and hustling people to keep racing and their supercharged '55 Chevy. They are not hippies, but car junkies. The meet a loud mouth middle aged guy driving a newer sportier GTO who wants to race them for pink slips. Eventually they agree to what amounts to a gentlemen's type race from New Mexico to the East Coast. There's not a lot of suspense to the race, and the film is about. . . well whatever you want it to be about. GTO pretends to be someone else everytime he picks up a new hitch-hiker. He's amusing himself with his creative imagination and re-inventing himself to escape the middle age blues. Eventually there's a little bit of a competition over a young female hitchhiker. The film was filmed on location as cast and crew drove across the country. The bare-bones script is by Rudolph Wurlitzer and Will Curry. The film becomes more and more abstract as it moves along. The story matters less and less. A circle eventually forms and we realize we've been riding along on a very unique, one of a kind film. There's a wonderful example of an utterly open ended final shot. Some are going to find this film very dull and wonder what there is to admire and respect about it. Others are going to 'discover' all sorts of things that are of course not actually present in the film itself, but are thoughts and reactions the film has sparked and triggered within them as they watched the film. Other's will enjoy the muscle cars, and late 60's cars that make sporadic appearances or rev up their engines on occassion. It's a film you watch many times and find different subtexts, moods, ideas and space within. It's a film that requires the viewer to both observe, accept and participate in, like one would a living sculpture. It's the kind of art film you would never expect from a director who made two quirky Westerns for Roger Corman in the mid 60's (The Shooting and Ride the Whirlwind --with Nicholson right before Jack became a star with Easy Rider). Hellman also went on to make the very interesting Cockfigher with Warren Oates. He's appreciated by a small, growing cult of afficianado's and you'll find Hellman's name more recently as executive producer of Reservoir Dogs. For something really unique I suggest you find a way to watch the DVD of Two-Lane Blacktop. The film was long out of circulation because of disputes over music rights. They were resolved and the film has been beautifully transferred to DVD and actually looks better than it ever did since the contrasts in light were carefully boosted during the DVD transfer. Chris Jarmick Author of The Glass Cocoon with Serena F. Holder - A steamy cyber thriller available January 2001. Please order it today. Thank You

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B00R244D00 |
| Actors  | James Taylor, Warren Oates |
| Best Sellers Rank | #4,581 in Movies & TV ( See Top 100 in Movies & TV ) #545 in Drama DVDs |
| Customer Reviews | 4.6 4.6 out of 5 stars (2,486) |
| Director  | Monte Hellman |
| Item model number  | CRRN2451DVD |
| MPAA rating  | R (Restricted) |
| Media Format  | Multiple Formats, NTSC, Widescreen |
| Number of discs  | 2 |
| Product Dimensions  | 0.7 x 7.5 x 5.4 inches; 5.12 ounces |
| Release date  | March 10, 2015 |
| Run time  | 1 hour and 42 minutes |
| Studio  | Criterion Collection (Direct) |

## Product Details

- **Contributor:** James Taylor, Monte Hellman, Warren Oates
- **Format:** Multiple Formats, NTSC, Widescreen
- **Genre:** Drama
- **Language:** English
- **Runtime:** 1 hour and 42 minutes

## Images

![Two-Lane Blacktop - Image 1](https://m.media-amazon.com/images/I/819d3XXw-HL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ great movie
*by J***S on April 21, 2026*

Absolutely awesome movie

### ⭐⭐⭐⭐⭐ Existential Road Trip
*by C***K on December 21, 2000*

Less dated than Easy Rider, this early 70's time capsule is an existential masterpiece. What the hell does that mean? It means the film is full of space. It's about absolute nothing, or everything, or somewhere in between. It's a poem that doesn't deliver what an audience expects but is utterly faithful to it's idea. It doesn't have an emotional pay-off, but instead finds a stylish way to cinematically burn rubber and fade away. It's characters are called Driver, Mechanic, GTO and Girl. Its stars are James Taylor (yeah the pop singer), Dennis Wilson (yeah the late Beach Boy), Warren Oates (in perhaps his finest performances) and Laura Bird (most won't know her, she's good). Driver and Mechanic are the original slackers. They love racing, and hustling people to keep racing and their supercharged '55 Chevy. They are not hippies, but car junkies. The meet a loud mouth middle aged guy driving a newer sportier GTO who wants to race them for pink slips. Eventually they agree to what amounts to a gentlemen's type race from New Mexico to the East Coast. There's not a lot of suspense to the race, and the film is about. . . well whatever you want it to be about. GTO pretends to be someone else everytime he picks up a new hitch-hiker. He's amusing himself with his creative imagination and re-inventing himself to escape the middle age blues. Eventually there's a little bit of a competition over a young female hitchhiker. The film was filmed on location as cast and crew drove across the country. The bare-bones script is by Rudolph Wurlitzer and Will Curry. The film becomes more and more abstract as it moves along. The story matters less and less. A circle eventually forms and we realize we've been riding along on a very unique, one of a kind film. There's a wonderful example of an utterly open ended final shot. Some are going to find this film very dull and wonder what there is to admire and respect about it. Others are going to 'discover' all sorts of things that are of course not actually present in the film itself, but are thoughts and reactions the film has sparked and triggered within them as they watched the film. Other's will enjoy the muscle cars, and late 60's cars that make sporadic appearances or rev up their engines on occassion. It's a film you watch many times and find different subtexts, moods, ideas and space within. It's a film that requires the viewer to both observe, accept and participate in, like one would a living sculpture. It's the kind of art film you would never expect from a director who made two quirky Westerns for Roger Corman in the mid 60's (The Shooting and Ride the Whirlwind --with Nicholson right before Jack became a star with Easy Rider). Hellman also went on to make the very interesting Cockfigher with Warren Oates. He's appreciated by a small, growing cult of afficianado's and you'll find Hellman's name more recently as executive producer of Reservoir Dogs. For something really unique I suggest you find a way to watch the DVD of Two-Lane Blacktop. The film was long out of circulation because of disputes over music rights. They were resolved and the film has been beautifully transferred to DVD and actually looks better than it ever did since the contrasts in light were carefully boosted during the DVD transfer. Chris Jarmick Author of The Glass Cocoon with Serena F. Holder - A steamy cyber thriller available January 2001. Please order it today. Thank You

### ⭐⭐⭐⭐⭐ good old stuff.
*by J***M on December 19, 2025*

for motor reving , axle twisting, tire burning, fun fun fun. good old movie..just to chk the old cars out. grab a 6 pack before watching..

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---

*Product available on Desertcart Singapore*
*Store origin: SG*
*Last updated: 2026-05-23*