---
product_id: 116744130
title: "Bill Sienkiewicz: Revolution"
brand: "ben davis"
price: "S$101"
currency: SGD
in_stock: true
reviews_count: 13
url: https://www.desertcart.sg/products/116744130-bill-sienkiewicz-revolution
store_origin: SG
region: Singapore
---

# Bill Sienkiewicz: Revolution

**Brand:** ben davis
**Price:** S$101
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Bill Sienkiewicz: Revolution by ben davis
- **How much does it cost?** S$101 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sg](https://www.desertcart.sg/products/116744130-bill-sienkiewicz-revolution)

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- ben davis enthusiasts

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## Description

Bill Sienkiewicz: Revolution

## Images

![Bill Sienkiewicz: Revolution - Image 1](https://images-na.ssl-images-amazon.com/images/I/41HnheF0gDS.jpg)
![Bill Sienkiewicz: Revolution - Image 2](https://images-na.ssl-images-amazon.com/images/I/41q4KSIymSL.jpg)
![Bill Sienkiewicz: Revolution - Image 3](https://images-na.ssl-images-amazon.com/images/I/41lRjvUvLxL.jpg)
![Bill Sienkiewicz: Revolution - Image 4](https://images-na.ssl-images-amazon.com/images/I/41DPNS01kXL.jpg)

## Customer Reviews

### ⭐⭐ 







  
  
    Oddly Disappointing.
  

*by P***P on Reviewed in the United States on November 7, 2019*

I found the long-awaited collection of Mr. Sienkiewicz's work to be strangely underwhelming considering the massive body of work he has done over many decades.While "Stray Toasters", "New Mutants" and "Voodoo Child" sections contain decent amount of good work, the rest of the book suffers from odd choice of images as well as a few redundancy. Some of the choices, I feel, are not up to par for even regular convention sketchbook let alone this handsome edition.The "Daredevil/ Elektra" pages that could have been a great anchor section of the book is but a handful of so-so pieces. And a "Notebook" section, that supposedly spans over 30 years but yet consists of just 5 pieces, seems like an afterthought.Missing are many of the sumptuous work that came to define Mr.Sienkiewicz's career. Where are the works or studies from "Moby Dick", "The Shadow", "Big Number" or "Love and War", as well as "Elektra Assassin" and "Moon Knight" ? We got random piece of those here and there...or none at all.I was very much looking forward to the book and expecting a blockbuster monograph. Instead, the book I got feels anemic at best. I am rather disappointed.PS: On the plus side, the interview is insightful and the essay by Ben Davis is a nice walk down 80s comics memory lane. But they are not the reasons why you buy this book.

### ⭐ 







  
  
    A legend like Sienkiewicz deserves much better than this mess of a book.
  

*by S***E on Reviewed in the United States on November 24, 2019*

I should preface this by saying I have been a Sienkiewicz fan since 1984 and I didn’t even have to look up how to spell his name when I typed this up. Bill is a major influence on me and I wouldn’t have the love of illustration and art that I have now without his work. I would buy comics just because he did the cover for them. So it pains me to say that this book is kind of a waste of time. It’s definitely only for the die- hard fans as I can’t see this winning over many new fans.I’ve sat with this for a while to really try and figure out why I was so disappointed with this book  and it comes down to this: it feels like a rushed mess. I’ll try to explain why I feel that way and have included a couple photos to help illustrate what I’m talking about.Scope: The content is severely lacking the finesse or scope of books like Dynamite’s , Image, or Desperado’s excellent Art of series (Brian Bolland, Sean Phillips, Timothy Bradstreet, Jose Gonzalez, etc) or evening the wonderful Daniel Zimmer Illustrator books (Al Dorne, Robert Fawcett, etc ). Instead this book feels like an extended version of one of Sienkiewicz’s convention sketchbooks which are great for what they are but as the first volume of (of three proposed books) what is meant to be Bill’s “Art of” books it is very underwhelming. I do feel that Bill’s work deserves more than a single volume like the Dynamite books but the first volume has so many convention sketches, book plates, and half finished images it feels like it’s already scraping the bottom of the barrel.Layout:The layout is a disaster. There are a lot of blank white pages. Sometimes with a one sentence description of the art across from it but no other details. I would have loved some in-depth information about the artist’s intent, method’s, or even anecdotes. Art bleeds into the gutters on a two-page spread that leaves 4/5 of the opposite page completely blank. Sometimes art is full bleed other times crammed into the gutter leaving a one inch white border at the edge of the paperI assume this book was made with Sienkiewicz’s input - ask him about the piece!The book is divided into projects but for some reason the Stray Toasters section has 2 pages of Jimi Hendrix art and one New Mutants page.Writing and interview:I expected more. The 12 page ( really more like 7 pages with the art and large font choice) interview is Hollywood press junket style questions such as “What are your thoughts as you sit in front of a clean white sheet of paper?”  This is also a general “about your career overall” interview instead of specific questions about the projects that are highlighted in the book. Neither Stray Toasters, Elektra, Voodoo Child, not 30 Days of Night are even mentioned in the interview. We get zero insures into these projects from Bill himself.  A more appropriate format would be an interview about each project in the chapter about said project. Comics Journal #107 is still one of the best interviews with Bill ever. Even just reprinting that interview would have been better than what was printed here.The article by Ben Davis is much more insightful but again there is a disconnect between the text and imagery. Davis brings up 1986’s Slow Dancer that was published in Epic Illustrated and refers to fig. 12 which is a watercolor study from 2010 that has nothing to do with the story.I really really wanted this to be an amazing book that collects and examines one of my favorite artist’s of all time but it doesn’t even come close. I only hope that they learn from this volume and get a good editor to whip the subsequent volumes into shape and give fans and Bill Sienkiewicz the kind of book they deserve.

### ⭐⭐⭐⭐⭐ 







  
  
    The Great Bill Sienkiewicz!!!
  

*by C***S on Reviewed in the United States on January 24, 2020*

If you're a Bill Sienkiewicz fan get this book! If you don't know who he is, get this book! I can write a very long review for this book but I won't so I'll keep it nice and short. I grew up admiring Bill's work when I was a young kid between the pages of Moonknight and then later, Electra and The Shadow comics. When my best friend introduced me to Bill during a Comic Con in NYC, he was friendly and super giving of his time. I follow him on Twitter and Facebook, allowing me to know a little more of the man. Plus, the artwork he posts is simply amazing. He should have a permanent gallery on both coasts.This book is great because it offers so much artwork and interviews. I learned quite a bit about him and his artwork that I never knew. If I had one gripe about this book is the fact that the publisher didn't utilize every iota of space in it. There are a lot of blank pages in the book which could've been used to display more artwork. I found this disappointing as I wanted more. Either way, this is a great book to add to my collection. I will have to find a way to somehow get him to autograph it...

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*Store origin: SG*
*Last updated: 2026-02-22*