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Superman: The Movie (1978) (4K Ultra HD) [4K UHD]
A**A
Super movie
This movie in 4k is excellent. Doesn't look dated. You watch it and appreciate the graphics and cinematography of the time . Christopher Reeves is Super man.
K**R
"Superman 1978: Still Believing that A Man Can Fly"
It has been thirty-five years since the late Christopher Reeve first soared across movie screens as the legendary Man of Steel. But it doesn't really seem all that long ago, at least not when viewers first see Superman in costume at the Fortress of Solitude as he flies toward the camera and makes a remarkable banking turn in front of our eyes. In my opinion, Reeve remains the only actor who can make one believe that Superman truly lives; it will forever be his legacy to moviegoers that a godlike super-hero could be fully realized as a personable human being that anyone could easily relate to. Sure, the passage of time hasn't been kind to the film's badly outdated costumes, but, otherwise, "Superman: The Movie" still outclasses virtually any film in its genre. It is pretty impressive that director Richard Donner and his production crew could conjure a totally believable Superman without the benefit of modern CGI and still make an appealing film for a wide spectrum of viewers. Specifically, Donner's film proves that graphic violence, excessive profanity, and explicit content are not required for an entertaining movie experience.With the classy opening sequence of a young boy flipping open an issue of "Action Comics," as the camera then pans up into the sky towards the majestic darkness of deep space, composer John Williams' timeless theme sparks the imagination that something truly special is about to happen. Director Richard Donner, with the aid of among others, script doctor Tom Mankiewicz, and an excellent ensemble cast, brings the "Superman" world to real life and establishes a common path for other big-budget super heroes Batman, Spider-Man, the X-Men, and the Avengers to follow by utilizing a first-class script and talented actors who are not ashamed to wear flashy spandex.The film simplistically is a three-part play: the Krypton sequence (with Marlon Brando as Jor-El); Smallville (with Glenn Ford as Jonathan Kent); and Metropolis (with Margot Kidder as Lois Lane; Jackie Cooper as Perry White; Marc McClure as Jimmy Olsen; and, of course, Gene Hackman, as a delightfully sinister Lex Luthor). New to the storyline are Lex's two groupies: bumbling Otis (Ned Beatty) and sultry Eve Teschmacher (Valerie Perrine), who help Hackman's egotistical Lex (as he calls himself, "The greatest criminal mind of our time," and "fiendishly gifted,") add a wonderful element of tongue-in-cheek humor. Case in point: watch an annoyed Lex's reaction to Otis having scribbled his own proposed little town ("Otisberg?," "Otisberg?") on to the scheming villain's idealized map of what California will look like after it is hit by a nuclear missile. Also, Donner cleverly plants the seed for an inevitable sequel at the beginning rather than at the end with cameos by three Krypton super-villains (General Zod, Ursa, and Non). By vowing that even Jor-El's heirs will one day kneel before him, the tyrannical Zod (Terrence Stamp) instantly becomes a classic movie villain ... with only a few moments of screen time.Lastly, I will address the film's ending, as there is a legitimate cause for criticism. After nearly two and a half hours of leisurely-paced, first class entertainment (including the breathtaking Superman & Lois "first date" flying sequence), the script resorts to a time travel gimmick to help resolve the finale. Although originally intended for "Superman II," as according to Donner, the idea makes Superman look unbeatable if he can alter history to his liking at will. However, Reeve's anguished facial reactions make this plot twist work as viewers are reminded by voice-overs of Superman's past with his two fathers, and exactly why he chooses emotion over cosmic responsibility. The ending should be taken as a leap of faith that even the Man of Steel sometimes has to find a way to beat impossible odds. Still, my favorite moment comes just before the closing credits with Superman's confident fly-by in space over Earth signaling that he will be back for further adventures ensuring our world is in safe hands. Backed by the opening bars of Superman's theme, Reeve accomplishes a most satisfying farewell without saying a word.Even today, whenever I ponder horrific tragedies reported by the news media, I still visualize Christopher Reeve's Superman flying out of seemingly nowhere to rescue Margot Kidder's Lois Lane from certain death dangling from a wrecked helicopter from the roof of the Daily Planet. It reminds me that real-life heroism isn't a comic book; it is really about being there unselfishly when others are in need.Rating: 10/10. The blu-ray and DVD special features offer a treasure trove for fans, including music cues; screen tests; trailers; and some insightful documentaries, which are well worth your spare time.
M**S
An American Classic - The Granddaddy of the Superhero Film Genre
Now, before I get to assessing the Blu ray version of "Superman - The Movie, I want to give my overall critique of the film itself.Pardon me, it may take a while, lol:I LOVE THIS MOVIE----With A Passion. Ive loved it every since I was that 6 yr old kid sitting in that dark movie theatre in late 1978 with my older brother, oohing and aweing at the images, amazed that I was seeing actors and filmmakers bringing one of my all-time favorite comic book superheroes to VIVID LIFE. I seen it perhaps more times than the Earth has revolved around the sun or Stevie Wonder and Michael Jackson have won Grammys, lol. It's magnificent entertainment. Pure and simple. From a time when film craftsmen actually cared about their film subject and gave their audience something to be proud to spend their money on.Director Richard Donner and producers Alexander and Ilya Salkind took a great American character and built a full scale old style Hollywood epic around him. Donner has stated over the yrs he wanted realism...nothing more, nothing less. If the filmmakers couldnt believe wholeheartedly in Superman and his world, why would we? Makes sense. It has heart, humor, a few strong dramatic moments, a few sad moments....a lot like the real world.First, we see the planet Krypton in all its majesty....cold, sterile, highly advanced. Then, we go to Earth as baby Kal-El is sent by rocketship there after Krypton's destruction. We watch him grow up under the watchful eyes of his adoptive parents, the Kents. Then, after he learns his true heritage and his destiny, we follow him to Metropolis, where hes now Clark Kent, news reporter, and our world's all mighty protector, Superman. Simple storytelling yet so powerfully told on screen.This is one adventure film thats so well cast its scary; the actors are so committed to their characters, theres not ONE FALSE MOVE, from anyone: Marlon Brando, dignified as Superman's Kryptonian father, Jor-El; Gene Hackman brings excellent comic relief as the villianous Lex Luthor; Margot Kidder is a sexy yet strong and intelligent Lois Lane (is there any other kind?); Glenn Ford and Phyllis Thaxter are the definitive Jonathan and Martha Kent; Ned Beatty is a funny Otis the hapless henchmen; Valerie Perrine is sex and playfulness as Luthors femme fatale, Miss Teschmacher.However, you cant have a Superman film with the title character himself, and the late Christopher Reeve IS and ALWAYS will be the ULTIMATE Man of Steel. Reeves interpretation of the hero is so definitive, so realistic, so intelligent, that in the hands of any other actor, it mightve come off as phony and a caricature. It wouldve been a tragic mistake. Reeve deftly handles the duality of Superman/Kent. His Kent, supposedly modeled after Cary Grant, is a sweet yet fumbling everyman....his Superman, on the other hand, is majestic, bold, with a bit of a swagger that doesnt make him look too arrogant and a dash of upright DO-GOODER AT YOUR SERVICE....Perfection. He inhabits these two individual personalities so completely that although we all know its the same man, he makes them look like two separate entities. Why Reeve wasnt considered for Oscar consideration has always baffled me over the years.Everything, from the script to the set designs; from the cinematography to the Academy Award winning visual effects to the grand, inspiring score (one of my truly favorite pieces of music, ever) by the great John Williams, is flawless. Attention to detail is part of what makes or breaks any film and "Superman" has it in spades. Nothing seems out of sync and the affection for the material is infectious. Even those who either never read a comic book or hadnt read Superman in yrs loved this movie. Watching it is fun and it sweeps you in, like the best adventure stories are supposed to.Now.....the presentation on Blu ray. I own this classic on VHS, the 2000 special Edition DVD and the four disc 2006 Special Edition DVD, and ive never had a problem in my viewing of it, especially in the digital format, where "Superman" shines. Having just seen it on Blu ray for the first time in that format the other night i can say the picture and audio quality are very well rendered; the colors and details are very vivid and the audio, while no different from in other digital presentations, is clear in the 5.1 Dolby capacity.
B**G
The 1st & best of the live action features.
Actually it's the 2nd live-action feature if you count "Superman and the Mole Men" (or the 3rd if you want to include the movie serials made by Columbia Pictures and featuring Kirk Alyn as Superman and Noel Neill as Lois Lane).