Sleeping With Ghosts

After three years, London-based rock trio Placebo has finally arrived with long-awaited fourth album, Sleeping with Ghosts. With their previous three records all hitting top 10 in the UK, the expectations for the new album are, to say the least, elevated. Then it is with no small amount of pleasure that many fans, after having heard the new tracks, pronounced Sleeping with Ghosts Placebo’s best album to date. I, for one, am inclined to agree. Taking their cues from the likes of DJ Shadow this time around, Placebo cleverly sidestep the pitfalls that dance/electronica influences often represent, and manage to fuse these influences effortlessly with their unique style. The arrangement chosen to showcase the music has a lot to do with this – in general, odd-numbered tracks on the album lean toward their old, guitar-driven approach with trademark ‘insect buzz’ distortion and simple punky rhythms; whereas even-numbered tracks showcase their new direction, with a couple of quiet, piano-led tracks to close off. The album opens with a sinister, frenzied instrumental reminiscent of the hidden track 'Evil Dildo' from second album Without You I’m Nothing, but as the record wears on, this quickly proves itself to be a red herring as to an indication of where the album is heading. Track 2, 'English Summer Rain', features vocalist Brian Molko on drums, providing a bouncy vibe and melodies you can’t help but sing along to. 'Special Needs' is another highlight in a similar style, with lines like ‘remember me / when every nose starts to bleed’ exemplifying Placebo’s usual lyrical perversity. How *very* Brian Molko. 'The Bitter End', the first single off the album, is typical Placebo, perhaps with a little more melody than previous material. This newfound love of tunes features throughout the record, with is all the better for it. Placebo’s old, arse-on-fire running-with-guitars style sits heavily on tracks such as 'Plasticine' and 'Second Sight', and 'This Picture' comes across like a close relative of 1998’s 'You Don’t Care About Us'. The title track is more than a highlight. Upon the first few listens it is already elevated to a status equal to despondent Placebo classics such as 'Without You I’m Nothing' and 'My Sweet Prince'. Stealing a couple of lines from Les Misérables, this a heartbroken anthem backed by sparse electronica and a gorgeous tune. ‘Soulmates never die’, laments Molko in his remarkable helium-laced voice, bringing to the fore blatant emotional intensity and fierce love. Musically, Sleeping with Ghosts is marvellous. The band has struck gold with the heady mix of electronica, their signature trashy lite-punk and Molko’s constantly above-par vocal performance. Though the words are competent enough, it doesn’t ever get back to the lyrical genius exemplified in early Placebo. But overall, that’s a small price to pay. This is a dazzling album, a must-have for every Placebo fan and many more people besides.

What can I say about this album ? It’s wonderful , loads of stand-outs including Special Needs . I never get weary of it . This vinyl album came with a gatefold sleeve which was a great surprise . Buy it !🙂

I recommend all placebo albums to everyone, they are amazingly crafted albums with touching lyrics, brilliant music and the lead singer has a beautiful voice (a mixture of french and scottish!) In my opinion, it isn't the best Placebo album, 'Black Market Music' and 'Meds' are a little better holistically. However, 'This Picture' and 'Special Needs' are pretty brilliant songs and deserve endless praise and endless listens!

This album is my second favorite after Black Market Music! this album is a real change in direction for Placebo and the album is highlighted by this fact the most from lead single The Bitter End. really love the album version of English Summer Rain and the opening instrumental Bulletproof Cupid and special needs

I always found Placebo as a good all round band in the indie/alt scene. Twisted enough to be cool with the more subversive and bizarre side, whilst remaining commercial and upbeat for the pop kids and us oldies. Seemingly this annoys the critics who do more whinining about Brians vocals than Brians vocals would ever be capable of on their own. Dispite a stack of bad reviews Placebo continue to sell and personally having found BBM an awful album for the most part, I was unsure how I was going to take to sleeping with ghosts. Placebo did not let me down at all, this album is excellent, from the guitar and drum beats of Bulletproof cupid to the more ambient English summer rain I just find sleeping with ghosts getting better and better each listen, even the slow song Special needs is grabbing my attention and unlike BBM this album has the ability of Placebo's past albums to keep me coming back for more & more continually rather than just the odd selected track. A must have album at the price it retails for here.

All turned up as described and on time

fast service, well packed, a great cd, many thanks

As usual, Placebo don't let you down.

So god damn good

Ich habe mir wirklich die Mühe gemacht und alle Kritiken durchgeackert, die ich finden konnte und am Ende habe ich versucht, mir selbst ein Bild zu machen. Eine Frage der Kaufentscheidung gab es für mich nie. Gekauft hätte ich sie sowieso. Allerdings kann ich mittlerweile nicht mehr verstehen, wie eingefleischte Placebo-Fans die Platte als Schrott abtun können. Ich gebe zu, auch mir gefiel sie anfangs nicht so gut wie die beiden Vorgänger, aber je öfter ich sie gehört habe, desto mehr hat sie ihre Klasse entfaltet. Und seit ich in Bremen auf dem Konzert war, hat die neue Scheibe endgültig gewonnen. Ich kann doch eine Band nicht verurteilen, weil sie neue Einflüsse in ihre Musik einbringt. Wer will schon jahrelang dasselbe machen. Außerdem sind es nur minimale Einflüsse, keine 180 Grad - Wende. Ich gebe zu, mit dem Song Something rotten bin ich nicht warm geworden bis jetzt, aber alle anderen Songs des Albums haben gwohnte Qualität und zeigen Placebo in all ihrer Vielfalt. Balladen a la Sleeping with ghosts oder Centrefolds, straighte Rocker a la This picture, Bitter end oder Second sight und wunderschöne Midtempo-Nummern a la Special needs (einer meiner persönlichen Favoriten) oder Plasticine. Alles in allem möchte ich keinen Song wirklich hervorheben, weil es die Abwechslung ist, die Placebo wirklich ausmacht. Auf BMM waren auch nicht alle Songs in einem Stil. Also ihr ewigen Nörgler, seid lieber froh, dass die Jungs nicht Jahr für Jahr immer die gleiche CD veröffentlichen wie Modern Talking. Ich spreche diesem Album eine unbedingte Kaufempfehlung aus. Wer die Jungs allerdings wirklich erleben will, der sollte mal ein Konzert besuchen. Pure Energie. Ich warte mit Freude auf die Live-DVD, die in der Weihnachtszeit rauskommen soll. Sollten gleich auch ein Live-Doppel-Album rausbringen, damit man ein Stückchen Live-Atmosphäre immer zu Hause hat. Weiter so. PLACEBO waren, sind und werden vermutlich für eine lange Zeit das Beste sein, was England seit Jahren hervorgebracht hat.

Que bonito disco

running up that hillを聞きたいがために購入しましたが、カバー曲以外のアルバムもとても聞き応えがありました。

The best album of Placebo! Great pressing.