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My Friend Dahmer: A Graphic Novel [Backderf, Derf] on desertcart.com. *FREE* shipping on qualifying offers. My Friend Dahmer: A Graphic Novel Review: The most socially relevant comic book since Spiegelman's "Maus" - In "My Friend Dahmer" Derf Backderf has created a work that should be required reading for all school counselors, educators, and indeed anyone with an interest in the psychology of alienated outsiders. This is probably the single best work on the early origins of a serial killer that has ever seen print. All the warning signs of troubled youth are presented clearly in a very engrossing manner. The work is tastefully done. The art, while cartoonish, sets a great mood for the story. The horrid excess of Jeff Dahmer's crimes are left unseen, as it should be. What is truly fascinating about people like Dahmer is not the gory details of their violence, but the psychology that unleashes such horrors. Derf really captures the essence of high school of that era. I was an early 80s student, myself, and little had changed by that point. I knew plenty of people much like the ones shown here. As a Dungeons & Dragons nerd, I too was near the bottom of the social ladder, much like Derf and Dahmer were. I can attest to the authenticity of Derf's portrayal of high school life of 30-odd years ago. As I read, I found myself wondering about the whereabouts of marginal characters I knew in my own school, like "Einerschteiner", "Squiddy" and the infamous "Onion". I'm just glad I haven't read about them in the newspapers. Derf himself had a ringside seat to the genesis of notorious serial murderer Jeffrey Dahmer's psychosis as a teen in 1970s small town Ohio. Derf was the leader of a group of self-described "band nerds" who associated with Dahmer in a strange blend of hero worship, fascination, pity, and disgust. Derf and his friends based a whole quasi-mythology and much of their banter and social interactions on Dahmer's desperate and bizarre attempts to gain peer acceptance through sick humor. Dahmer seems to have deeply infiltrated almost every aspect of Derf and friends' high school life. One is reminded of Alfred Jarry's creation of his absurdist play, Ubu Roi, based on stories he and his school friends made up about their strange and eccentric physics teacher. Derf generally treats Dahmer as sympathetically as possible, noting how his disturbed behavior and alcoholism, while blatantly obvious to his peers, was overlooked by every single adult in Dahmer's life. Derf even shows how he and his friends egged Dahmer on to ever greater lengths of weirdness and unacceptable behavior, culminating in an unforgettable trip to a local mall where they paid Dahmer $35 to run amok for two hours. Ironically, this episode was the 'last straw' that resulted in their disassociation from him due to discomfort with his ever-worsening freakish persona. I cannot give this any less than five stars, however one area that I think Derf held back on was the central character of Dahmer. I'm not saying he should have showed his killings or grotesque fantasies, I just think Derf consciously or unconsciously tended to dehumanize Dahmer, rendering him more as a caricature of a lunatic than an actual human being. The scenes of Dahmer alone or with his parents do not have this problem, just the scenes of his interactions with others in his peer group. I do understand that Dahmer had this crazed persona he hid behind at school, but I am sure he was a little more articulate than presented here, especially with the members of Derf's "Dahmer Fan Club". Clues in the end notes to Derf's book reinforce this, as well as the articulate nature of the interviews with Dahmer that I have seen in documentaries. In the book, Dahmer's dialogue is mainly restricted to loud exclamations of "THMAAAA!" and "BAAAAA!". (This is a depiction of Dahmer's cruel mockery of a handicapped man who was employed by his mother.) However, in an actual 70s high school year book cartoon done by Derf and included in the text, many quoted "Dahmerisms" are included that prove that Dahmer was in fact possessed of an eccentric and somewhat obscure sense of humor, rather than being a non-stop bellowing lunatic. Unfortunately Derf only allows Dahmer to act as a real human in a couple of scenes; notably, one where he manages to maneuver himself and several classmates into a meeting with Vice President Mondale during a trip to Washington DC. Understandably, Derf must have wanted to distance himself from Dahmer as much as possible in the making of this book. He had the unenviable task of telling the story of his boyhood friendship with one of the most horrible serial killers of modern times while at the same time avoiding being tarred with the same brush, so to speak. Derf constantly throws in little anecdotes to emphasize the normalcy of his own life as he recounts the bizarreness of Dahmer's. Perhaps Derf was reluctant to show himself and his friends interacting with Dahmer on any level deeper than a "bemused observer" capacity. Certainly, Dahmer was a real weirdo, but it would have been fascinating if Derf had added one or two scenes where Dahmer actually interacted a little with his peers. Undoubtedly there must have been incidents like that, as I doubt someone of Derf's imagination and intellect would have been so thoroughly captivated by a guy whose sole schtick was a loud, ugly impression of a cerebral palsy sufferer. All in all, I cannot recommend this book highly enough. It would have been interesting to see at least one or two of Dahmer's more lucid interactions with classmates, and to find out a bit about how he functioned academically (I understand his IQ was about 145), but these are very small complaints indeed given the general exceptional quality of this book. We may still not know the whole explanation behind the descent into horrific madness of an intelligent, pleasant looking boy with a well-to-do family and a caring father, but Derf's graphic novel does as much or more to explain it as any of the other literature on this all-around tragic subject. Five Stars. Review: Friends and Killers - So once upon a time, there was this guy named Jeffrey Dahmer. You might’ve heard of him. In 1991, he got caught trying to abduct a guy in Milwaukee, and police found a human head in his refrigerator, along with human remains stored in barrels and various severed body parts scattered around his apartment. He’s one of the most notorious serial killers in history. Back in ’91, there was an editorial cartoonist called Derf Backderf working for a paper in Cleveland. His wife, also a reporter at the paper, calls him, tells him about this serial killer they’ve arrested in Milwaukee, and drops a bomb on him — Backderf graduated from high school with the guy. So Backderf spends a few years wrestling with the fact that he was friends with a future serial killer and eventually sits down, does a ton of research, and creates this graphic novel, “My Friend Dahmer,” a retelling of his interactions as a teenager with this kid who everyone laughed at and no one really understood. Backderf and his circle of friends discovered Dahmer after he’d started impersonating a person with cerebral palsy and throwing fake epileptic fits to get attention. Dahmer was a stone freak, but his antics were amusing in the juvenile way we all enjoy when we’re in high school, and they encouraged him as much as they could, even calling themselves the “Dahmer Fan Club.” Backderf remembers him as a really strange kid, sometimes disturbing, usually harmless, often depressing. He drank heavily in high school — a fact that a number of students were aware of, but that every teacher apparently missed — hiding beer and hard liquor around the school grounds so he’d always be able to sneak out and find something to drink. Ultimately, it’s a really sympathetic portrait of Dahmer. Not to say that it’s entirely Dahmer-positive — Backderf says more than once that Dahmer is a kid he feels tremendous sympathy and empathy for — but that goes away when he crosses the line into murder. But Backderf knew Dahmer as a sad, strange kid with parents struggling through mental health issues and a very nasty divorce. Dahmer wanted attention, like a lot of kids, he was darkly funny, like a lot of kids, and he was conflicted when he realized he was gay, like a lot of kids. Of course, not a lot of kids also realize they’re necrophiliacs and have to struggle with urges to do violence to others. But even then, Backderf recognizes that Dahmer went through a very stressful high school career and kept himself together — admittedly with huge doses of alcohol — until after graduation. Backderf says that he thinks Jeff Dahmer, the disturbed teenager, could have been saved if only the adults in his life had paid closer attention to him and cared enough to get involved. We’ll never know for sure, of course, but that doesn’t do anything to make this book any less fascinating. This is a pretty thick book, and I burned through it as fast as I could, including the section detailing Backderf’s research and notes. Backderf’s writing about Dahmer is captivating and humanizing in all the best ways — this isn’t something that glorifies a serial killer, but instead asks us to look at how the serial killer was created, at Dahmer’s depressingly rotten youth, at all the ways this kid was failed by the grownups who were supposed to be helping him. The setting is also pretty amazing — Revere High School in West Allis, Ohio in the mid- to late-1970s is a great backdrop for all of this to happen. Locked-down schools, zero tolerance, and No Child Left Behind were 20-30 years in the future, and the book is both stereotypically ’70s-ish and simultaneously timeless — we’ve all felt this way about school, we’ve all been freaked out by our adolescent hormones, we’ve all wondered whether we’d survive to get out of school and wondered what happened to the people we used to hang with. This isn’t a horror story, at least not in the traditional sense. If you read it hoping for blood and gore and psycho killer mayhem, you’re going to be very disappointed. If we can call it horror at all, it’s more a matter of the horror of how one person can go from being a pretty normal kid to the kind of lunatic who’d kill 17 people. It’s a heck of a good story, and I think you should read it.

























| Best Sellers Rank | #74,835 in Books ( See Top 100 in Books ) #83 in Educational & Nonfiction Graphic Novels #127 in Serial Killers True Accounts #264 in Murder & Mayhem True Accounts |
| Customer Reviews | 4.6 4.6 out of 5 stars (1,961) |
| Dimensions | 6 x 1.05 x 9.25 inches |
| Edition | Illustrated |
| ISBN-10 | 1419702173 |
| ISBN-13 | 978-1419702174 |
| Item Weight | 2.31 pounds |
| Language | English |
| Part of Series | My Friend Dahmer |
| Print length | 224 pages |
| Publication date | March 1, 2012 |
| Publisher | Abrams ComicArts |
M**E
The most socially relevant comic book since Spiegelman's "Maus"
In "My Friend Dahmer" Derf Backderf has created a work that should be required reading for all school counselors, educators, and indeed anyone with an interest in the psychology of alienated outsiders. This is probably the single best work on the early origins of a serial killer that has ever seen print. All the warning signs of troubled youth are presented clearly in a very engrossing manner. The work is tastefully done. The art, while cartoonish, sets a great mood for the story. The horrid excess of Jeff Dahmer's crimes are left unseen, as it should be. What is truly fascinating about people like Dahmer is not the gory details of their violence, but the psychology that unleashes such horrors. Derf really captures the essence of high school of that era. I was an early 80s student, myself, and little had changed by that point. I knew plenty of people much like the ones shown here. As a Dungeons & Dragons nerd, I too was near the bottom of the social ladder, much like Derf and Dahmer were. I can attest to the authenticity of Derf's portrayal of high school life of 30-odd years ago. As I read, I found myself wondering about the whereabouts of marginal characters I knew in my own school, like "Einerschteiner", "Squiddy" and the infamous "Onion". I'm just glad I haven't read about them in the newspapers. Derf himself had a ringside seat to the genesis of notorious serial murderer Jeffrey Dahmer's psychosis as a teen in 1970s small town Ohio. Derf was the leader of a group of self-described "band nerds" who associated with Dahmer in a strange blend of hero worship, fascination, pity, and disgust. Derf and his friends based a whole quasi-mythology and much of their banter and social interactions on Dahmer's desperate and bizarre attempts to gain peer acceptance through sick humor. Dahmer seems to have deeply infiltrated almost every aspect of Derf and friends' high school life. One is reminded of Alfred Jarry's creation of his absurdist play, Ubu Roi, based on stories he and his school friends made up about their strange and eccentric physics teacher. Derf generally treats Dahmer as sympathetically as possible, noting how his disturbed behavior and alcoholism, while blatantly obvious to his peers, was overlooked by every single adult in Dahmer's life. Derf even shows how he and his friends egged Dahmer on to ever greater lengths of weirdness and unacceptable behavior, culminating in an unforgettable trip to a local mall where they paid Dahmer $35 to run amok for two hours. Ironically, this episode was the 'last straw' that resulted in their disassociation from him due to discomfort with his ever-worsening freakish persona. I cannot give this any less than five stars, however one area that I think Derf held back on was the central character of Dahmer. I'm not saying he should have showed his killings or grotesque fantasies, I just think Derf consciously or unconsciously tended to dehumanize Dahmer, rendering him more as a caricature of a lunatic than an actual human being. The scenes of Dahmer alone or with his parents do not have this problem, just the scenes of his interactions with others in his peer group. I do understand that Dahmer had this crazed persona he hid behind at school, but I am sure he was a little more articulate than presented here, especially with the members of Derf's "Dahmer Fan Club". Clues in the end notes to Derf's book reinforce this, as well as the articulate nature of the interviews with Dahmer that I have seen in documentaries. In the book, Dahmer's dialogue is mainly restricted to loud exclamations of "THMAAAA!" and "BAAAAA!". (This is a depiction of Dahmer's cruel mockery of a handicapped man who was employed by his mother.) However, in an actual 70s high school year book cartoon done by Derf and included in the text, many quoted "Dahmerisms" are included that prove that Dahmer was in fact possessed of an eccentric and somewhat obscure sense of humor, rather than being a non-stop bellowing lunatic. Unfortunately Derf only allows Dahmer to act as a real human in a couple of scenes; notably, one where he manages to maneuver himself and several classmates into a meeting with Vice President Mondale during a trip to Washington DC. Understandably, Derf must have wanted to distance himself from Dahmer as much as possible in the making of this book. He had the unenviable task of telling the story of his boyhood friendship with one of the most horrible serial killers of modern times while at the same time avoiding being tarred with the same brush, so to speak. Derf constantly throws in little anecdotes to emphasize the normalcy of his own life as he recounts the bizarreness of Dahmer's. Perhaps Derf was reluctant to show himself and his friends interacting with Dahmer on any level deeper than a "bemused observer" capacity. Certainly, Dahmer was a real weirdo, but it would have been fascinating if Derf had added one or two scenes where Dahmer actually interacted a little with his peers. Undoubtedly there must have been incidents like that, as I doubt someone of Derf's imagination and intellect would have been so thoroughly captivated by a guy whose sole schtick was a loud, ugly impression of a cerebral palsy sufferer. All in all, I cannot recommend this book highly enough. It would have been interesting to see at least one or two of Dahmer's more lucid interactions with classmates, and to find out a bit about how he functioned academically (I understand his IQ was about 145), but these are very small complaints indeed given the general exceptional quality of this book. We may still not know the whole explanation behind the descent into horrific madness of an intelligent, pleasant looking boy with a well-to-do family and a caring father, but Derf's graphic novel does as much or more to explain it as any of the other literature on this all-around tragic subject. Five Stars.
S**S
Friends and Killers
So once upon a time, there was this guy named Jeffrey Dahmer. You might’ve heard of him. In 1991, he got caught trying to abduct a guy in Milwaukee, and police found a human head in his refrigerator, along with human remains stored in barrels and various severed body parts scattered around his apartment. He’s one of the most notorious serial killers in history. Back in ’91, there was an editorial cartoonist called Derf Backderf working for a paper in Cleveland. His wife, also a reporter at the paper, calls him, tells him about this serial killer they’ve arrested in Milwaukee, and drops a bomb on him — Backderf graduated from high school with the guy. So Backderf spends a few years wrestling with the fact that he was friends with a future serial killer and eventually sits down, does a ton of research, and creates this graphic novel, “My Friend Dahmer,” a retelling of his interactions as a teenager with this kid who everyone laughed at and no one really understood. Backderf and his circle of friends discovered Dahmer after he’d started impersonating a person with cerebral palsy and throwing fake epileptic fits to get attention. Dahmer was a stone freak, but his antics were amusing in the juvenile way we all enjoy when we’re in high school, and they encouraged him as much as they could, even calling themselves the “Dahmer Fan Club.” Backderf remembers him as a really strange kid, sometimes disturbing, usually harmless, often depressing. He drank heavily in high school — a fact that a number of students were aware of, but that every teacher apparently missed — hiding beer and hard liquor around the school grounds so he’d always be able to sneak out and find something to drink. Ultimately, it’s a really sympathetic portrait of Dahmer. Not to say that it’s entirely Dahmer-positive — Backderf says more than once that Dahmer is a kid he feels tremendous sympathy and empathy for — but that goes away when he crosses the line into murder. But Backderf knew Dahmer as a sad, strange kid with parents struggling through mental health issues and a very nasty divorce. Dahmer wanted attention, like a lot of kids, he was darkly funny, like a lot of kids, and he was conflicted when he realized he was gay, like a lot of kids. Of course, not a lot of kids also realize they’re necrophiliacs and have to struggle with urges to do violence to others. But even then, Backderf recognizes that Dahmer went through a very stressful high school career and kept himself together — admittedly with huge doses of alcohol — until after graduation. Backderf says that he thinks Jeff Dahmer, the disturbed teenager, could have been saved if only the adults in his life had paid closer attention to him and cared enough to get involved. We’ll never know for sure, of course, but that doesn’t do anything to make this book any less fascinating. This is a pretty thick book, and I burned through it as fast as I could, including the section detailing Backderf’s research and notes. Backderf’s writing about Dahmer is captivating and humanizing in all the best ways — this isn’t something that glorifies a serial killer, but instead asks us to look at how the serial killer was created, at Dahmer’s depressingly rotten youth, at all the ways this kid was failed by the grownups who were supposed to be helping him. The setting is also pretty amazing — Revere High School in West Allis, Ohio in the mid- to late-1970s is a great backdrop for all of this to happen. Locked-down schools, zero tolerance, and No Child Left Behind were 20-30 years in the future, and the book is both stereotypically ’70s-ish and simultaneously timeless — we’ve all felt this way about school, we’ve all been freaked out by our adolescent hormones, we’ve all wondered whether we’d survive to get out of school and wondered what happened to the people we used to hang with. This isn’t a horror story, at least not in the traditional sense. If you read it hoping for blood and gore and psycho killer mayhem, you’re going to be very disappointed. If we can call it horror at all, it’s more a matter of the horror of how one person can go from being a pretty normal kid to the kind of lunatic who’d kill 17 people. It’s a heck of a good story, and I think you should read it.
A**S
super!
Excellent book in great condition
N**A
Interesting, creepy, wonderful in its own way. Certainly gripping
This is the personal tale of how a kid who was weird throughout his teens was ignored by all the adults around him until he developed into the infamous sexually assaulting murderer who ate his victims and dissolved them in acid. We read (and see) stories here of hallway conversations, prom dates, high school clubs and drinking. The author approaches it from the perfect distance--never losing sight of Dahmer's crimes while at the same time showing him as a real human being. In hindsight, we wonder why the teens (who knew he did strange things to animal and drank himself into oblivion almost daily) had no one to tell about Jeff, no one who seemed to care. We also wonder why he was overlooked in high school and allowed to come into the school drunk on a daily basis. THe author keeps reminding us--he was the SECOND weirdest kid in the school. In other words, being weird in high school does not necessarily correlate with becoming a criminal later. THe story is animated with terrific drawings. This is just about a perfect specimen of a graphic novel. I didn't give it 5 stars just because I could not be seen as saying "love it" about a book which touches evil so closely.
J**J
Good art work from a person who grew up with the man, providing another point of view on such a disturbing topic.
I**M
Un "comic book" pas si comique que ça si j'ose dire ! Très belle enquête journalistique, la photo de classe originale biffée et les dessins de l'époque réalisés par l'auteur ajoutent une touche de réalisme qui rend l'ensemble très vivant et angoissant à la fois. The scary thing about it is maybe the egotistic nature of our "modern" society as a whole that is so well depicted here : NO ONE even tried to help ! nor his parents, nor the academic institution, nor his "friends" who just used him to goof around until they threw him off without any kind of personal interest or compassion... Thus the introspective look back of the author is definitely compelling !
S**I
Es un clásico que uno debe de tener
S**A
At some point in the recent past, I became a little bit obsessed with serial killers. I watched many videos on Youtube, containing interviews on their modus operandi, on how their minds work so that they act like they do. I knew that a movie talking about Dahmer had come out, but wanted to read the graphic novel first. I had already watched some interviews before buying the book, so Dahmers face was familiar already. The graphic novel is incredible. I haven't read many of this kind, but here I was engrossed from the beginning. The style of the drawing is so unique, disturbing in a way, it is one with the story. And because the story is told by someone who experienced it - for some time at least - first hand, it is all the more disturbing and profoundly sad. In Dahmer's case, the progressing fall into an abyss of loneliness, neglect, sadness and insanity happens smoothly, in a way. It is very effectivly described here as a day by day struggle. At some point it seems that the small circle of friends Dahmer gets in touch during high school could actually save him from himself. We obviously know that this was not the case, and it makes me really sad. I watched the movie later, but I can go back to this graphic novel every time I want, by simply grabbing it from the bookshelf and flicking through the pages to the image I feel like seeing in that moment. I definetely am inspired to read more graphic novel. It's not a habit I have, but I have a few on my list already. Definetely one of the best books of all times.
C**N
Divertido e intrigante! A graphic novel traz um tema difícil de maneira inovadora e sob a perspectiva de alguém próximo do famoso Jeff.